Posts from February, 2004

Cynthia Hartling


N3 Project Space 85 North 3rd Street, 2nd Floor Williamsburg (between Whythe and Berry) Good painting has a way of eluding critical explication. It is often said in critical dialogue about painting that good painting has a quality of inevitability about it. Good painting, they say, could not have been otherwise. Like all truisms, this…


Lee Lozano, Drawn from Life: 1961 – 1971


PS1 Contemporary Art Center 22-25 Jackson Ave at 46th Ave in Long Island City, New York January 22 – May 1, 2004 I went to see the Lee Lozano show at P.S. 1 with a friend of mine who used to be her pot dealer and (briefly) her lover. In the reception area there is…


The Painting Undone: Supports/Surfaces


This chapter is from the author‘s Polychrome Profusion: Selected Art Criticism: 1990 – 2002 Lenox, MA: Hard Press Editions, 2004, $24.95 The Musée d’Art Moderne de Saint-Etienne is located near Lyon about two hours south of Paris on the TGV, the fast train that continues to draw France closer together and leech away Paris’s longstanding monopoly on…


LOVERS: Drawings by Rosemarie Beck and Paul Resika, 1968-69


Lori Bookstein Fine Art 37 West 57 Street, 3rd Floor New York Opens February 14th, 3-6 pm Continues through March 12, 2004 1968. Year of the “Events”. The Summer of Love and all that. In a studio in New York’s Washington Square, two young artists stage an event of their own: a pair of lovers…


Polly Apfelbaum


Contemporary Arts Center, Cincinnati 44 East 6th Street, Cincinnati, Ohio 513 345 8400 6 December 2003 to 29 February 2004 The “feminine” used to be equated with fragility, delicacy, and quiet refinement. Polly Apfelbaum’s works are all of these things while also revealing the artist’s capacity to subvert such equations and redefine “women’s work.” Her…