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	<title>Comments on: The Continuous Mark: 40 Years of the New York Studio School</title>
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		<title>By: Arlene Distler (Friedman)</title>
		<link>http://www.artcritical.com/2005/02/17/the-continuous-mark-40-years-of-the-new-york-studio-school/comment-page-1/#comment-6888</link>
		<dc:creator>Arlene Distler (Friedman)</dc:creator>
		<pubDate>Tue, 24 May 2011 22:12:05 +0000</pubDate>
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		<description>So sad I missed this show! I was a student there for what was apparently (I didn&#039;t realize!) the first year of its home on 8th street. 

What an exciting time! I loved all my teachers -- Estaben Vicente was so old-world charming and astute, as a teacher. Milton Resnick was probably my favorite, aside from Mercedes. His passion for paint just gushed out of him. His vision was luminous, monolithic, no hard edges. He was always taking a rag and wiping away painted distinctions that detracted from the impact of the whole.

Mercedes was such a mother hen.....we were so happy to be her chicks! She had guts and knew what she was about and what she wanted from her students. She was invaluable as a teacher.

I have four grown children, still manage to paint some, but mostly write art criticism with a desire to open up the reader, educate. I publish in regional and national publications...mostly Vermont and New England.</description>
		<content:encoded><![CDATA[<p>So sad I missed this show! I was a student there for what was apparently (I didn&#8217;t realize!) the first year of its home on 8th street. </p>
<p>What an exciting time! I loved all my teachers &#8212; Estaben Vicente was so old-world charming and astute, as a teacher. Milton Resnick was probably my favorite, aside from Mercedes. His passion for paint just gushed out of him. His vision was luminous, monolithic, no hard edges. He was always taking a rag and wiping away painted distinctions that detracted from the impact of the whole.</p>
<p>Mercedes was such a mother hen&#8230;..we were so happy to be her chicks! She had guts and knew what she was about and what she wanted from her students. She was invaluable as a teacher.</p>
<p>I have four grown children, still manage to paint some, but mostly write art criticism with a desire to open up the reader, educate. I publish in regional and national publications&#8230;mostly Vermont and New England.</p>
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