Posts from June, 2006

Ellsworth Kelly’s Plant Lithographs


As the Met displays his plant drawings, we revisit a show of prints of the same theme


Ron Gorchov: Double Trouble at MoMA P.S. 1


A  review from 2006 retrieved for his new show at Cheim & Read


Nightmares of Summer at Marvelli, Re:Location at Alexander & Bonin, A Brighter Day at James Cohan Gallery


NIGHTMARES OF SUMMER Marvelli Gallery through July 8 526 West 26 Street 2nd Floor, between 10 and 11 Avenues, 212 627 3363 RE:LOCATION Alexander & Bonin through July 28 132 Tenth Avenue at 19 Street, 212 367 7474 A BRIGHTER DAY James Cohan Gallery through July 14 533 West 26 Street, between 10 and 11 Avenues,…


Peter Agostini


Salander O’Reilly Galleries 20 East 79 Street. 212 879 6606 June 1, 2006 to June 23, 2006 The United States in the mid-twentieth century produced a wider range of artistic styles than is generally acknowledged in the art history books, and the critical preference for abstraction obscured the achievements of many good artists who did not…


Frank Stella 1958


Arthur M. Sackler Museum Harvard University Art Museums Cambridge, Massachusetts February 4—May 7,  2006 In his famous quote regarding the futility of people’s seeking layers of meaning in his black paintings, Frank Stella uttered what was to become the rallying cry of Minimalism—“What you see is what you see”.  Our response to his proclamation is…


The 2006 New York Armory Show


The 2006 New York Armory Show: Piers 90 and 92 12 Ave at 50 & 52 Street New York City March 10-13, 2006 The Not So Sweet Smell of Success What can be said of a fair that was enormously successful financially while being aesthetically unsatisfying? Fair officials reported that more than 47,000 collectors, critics,…


Cady Noland Approximately: Sculptures and Editions, 1984-99


Triple Candie 461 West 126 Street New York NY 10027 212-865-0783 April 21 to May 21, 2006 The sculptor Cady Noland (b.1956) is a little like J.D.Salinger, who arrived big on the literary scene in the late 1940s, made a significant contribution, then more or less disappeared, keeping tight control over the release of his…


Barbara Yoshida


You started your career as a painter and sculptor, and first became involved in photography with a project you did making portraits of women artists in New York City. I felt that male artists were photographed a lot, and I wasn’t seeing as many representations of women artists, and those that I did see weren’t…


Christian Hellmich: Arrangement


Lehmann Maupin 540 W. 26th Street New York, N.Y., 10001 212 255 2923 June 1-July 14, 2006 All of Hellmich’s paintings include intentionally skewed architectural forms, buildings, staircases, facades, railings, escalators, warehouse interiors, cement partitions and roadways, doorways, garage doors, etc., and his use of architecture and perspective or orthogonals, is not haphazard or incidental….


The Material Sign: Craig Fisher, Marthe Keller, Phillis Ideal, Gwenn Thomas. Curated by Stephen Westfall


Florence Lynch Gallery 531-539 West 25th Street New York NY 10001 212.924-3290 June 1 – July 15, 2006 The Material Sign is the carefully chosen title given by painter and critic Stephen Westfall to this show of four artists: Craig Fisher, Phillis Ideal, Marthe Keller, and Gwenn Thomas. Their work, as Westfall writes in the…