With Zhang’s Rulai one senses the conflicting elements of life and death within the gray ash.
Transgressive, experimental, fiercely individualistic, Man Ray evaded any categories not of his own creation.
In a Catch-22, artists cannot sell their work, but they also cannot afford to “waste” materials on work that is not for sale.
Among thirteen tapestries commissioned from contemporary artists, the most interesting are those in which the medium adds a level of meaning to the image.
“His ambition,” Moore-McCann concludes, “is nothing less than a transformation of thinking, looking beyond material objects to underlying systems of belief”
We still have much to learn about California’s cool recasting of New York’s cold Minimalism, but these shows provide a good place to start.
Once the complexity of the paintings’ under-layers have revealed themselves, we are in a position to appreciate the way in which these paintings offer up to us a visual metaphor of their own making.
Pesce freeze’s the moment, Carroll celebrates transience, and together they create a deeply meaningful and thoughtful dialogue.
This was an artcritical PIC in February 2010.
Clare Weiss, who was Curator of Public Art at New York City Department of Parks and Recreation from 2005-2009, was a determined and enterprising champion of art in public places. She passed away January 11, aged 43, after a protracted battle with breast cancer which began in 2006. Weiss came to art relatively late in…