http://www.artcritical.com/2012/05/02/beryl-korot/ Tue, 14 May 2013 17:47:21 +0000 hourly 1 http://wordpress.org/?v=3.4 http://www.artcritical.com/2012/05/02/beryl-korot/comment-page-1/#comment-18649 Helene Aylon Sun, 20 May 2012 15:46:32 +0000 http://www.artcritical.com/?p=24576#comment-18649 I commend the Barons' poetic, intellectual assessment of the 3 installations by Beryl Korot. I myself am fascinated by Korot's brilliant use of text as I have used text in another far different way as described in my memoir: "Whatever Is Contained Must Be Released: My Jewish Orthodox Girlhood, My Life as a Feminist Artist"- (just out by the Feminist Press) I commend the Barons’ poetic, intellectual assessment of the 3 installations by Beryl Korot.
I myself am fascinated by Korot’s brilliant use of text as I have used text in another far different way as described in my memoir: “Whatever Is Contained Must Be Released: My Jewish Orthodox Girlhood, My Life as a Feminist Artist”- (just out by the Feminist Press)

]]> http://www.artcritical.com/2012/05/02/beryl-korot/comment-page-1/#comment-18533 Linda Lieff Altabef Wed, 16 May 2012 15:48:59 +0000 http://www.artcritical.com/?p=24576#comment-18533 I have seen Beryl Korot's installations at the Aldrich Museum and was capitvated by the way she wove text into the warp and woof of a video. Beryl was able to pull the viewer into the piece so that you became part of the movement of the installation. I have seen Beryl Korot’s installations at the Aldrich Museum and was capitvated by the way she wove text into the warp and woof of a video. Beryl was able to pull the viewer into the piece so that you became part of the movement of the installation.

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