“I used to be obsessed with the idea that the paintings only show you their backside, as if the real painting’s on the other side”
featuring Nora Griffin, Drew Lowenstein and Barry Schwabsky
From Judy Linn’s quirky, painting-like photographs to the finely drawn erotic humor of Tom of Finland, Hudson’s eye was a keen one.
The richly contentious art world in lavishly loving detail
And other modernists who kept creative after modernism’s big moment
His debut US show opened at White Columns this week
His Smack Mellon installation inspires a “rave” review – and a proposition