Writings by David Cohen

Jean Hélion, Equilibre , 1936. Oil on canvas, 44 7/8 x 57 7/8 inches. Courtesy of Schroeder Romero & Shredder

Jean Hélion at Schroeder Romero & Shredder


Up through June 30. His 1943 book, “They Shall Not Have Me”, is reissued by Arcade


Catherine Howe, Night Painting (Bluestocking), 2012. Oil and beeswax on canvas, 50 x 60 inches. Courtesy of Von Lintel Gallery

Catherine Howe at Von Lintel Gallery


Still Life as Action Painting


Hilton Kramer, 1928-2012. Photo (c) Timothy Greenfield-Sanders, 1985

Feared and Fearless: Hilton Kramer, 1928-2012


with additional comments by William King, Alex Katz and Vivian Tsao


Jack Bush, Sing Sing Sing, 1974. Acrylic on canvas, 68 x 114-3/4 inches. Courtesy of FreedmanArt

Jack Bush at FreedmanArt


Images that balance chromatic vibrancy and earthiness.  DEBATE: Comments from Karen Wilkin and Piri Halasz


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Eve Sonneman at Nohra Haime Gallery


Her diptych photographs and a selection of paintings are on view through April 28


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Volta Experiences A Surge


A report from the fair of solo presentations that runs through Sunday


Jennifer Bartlett, Sm. M. Lg. 1-1000 Horizontal, 2011. Enamel over silkscreen grid on baked enamel steel plates, 57 x 75 inches. Courtesy of Locks Gallery, Philadelphia

What to expect at the Piers, the Armory, the other Armory, even some Williamsburg bars


Armory Week is upon us


Sharon Yaari, Jerusalem Blvd., 2009. Inkjet, 27-3/16 x 32-1/16 inches. Courtesy of Bruce Silverstein

Sharon Yaari at the Silverstein Annual


On view through February 25


Stuart Shils, Apartment Houses Near Siena, 2011. Oil on prepared paper mounted on board, 10 x 14 inches. Courtesy of Steven Harvey Fine Art Projects, New York and the Artist.

“O Jerusalem!” Auction Set to Save Jerusalem Studio School From Financial Ruin


Live closing auction tonight, Tuesday, February 21 at  Steven Harvey Fine Art Projects


Joyce Pensato

Batman Returns: Joyce Pensato introduces color and studio detritus at Friedrich Petzel


Here show will be discussed by The Review Panel, February 24