Writings by David Cohen

Christian Marclay, The Clock, 2010. Single-channel video, 24 hours, still. Courtesy of Paula Cooper Gallery

“You Can’t Beat The Clock”: Christian Marclay at Paula Cooper


The Clock, a Frankenstein monster of a movie, is on view through February 19.


AG-detail

You will meet a tall handsome stranger… on the Bowery


Artemisia Gentileschi at Sperone, Westwater’s exhibition of old master Italian Paintings


Marie-Louise von Motesiczky, Mother in Green Dressing Gown, 1975. Oil on canvas, 26 x 22 inches. The Marie-Louise von Motesiczky Charitable Trust, London, Courtesy of Galerie St. Etienne, New York

A Remarkable Posthumous Debut


on view at Galerie St. Etienne through December 30, 2010


Candace Mills posing with a work by Philip Pearlstein

Hell hath no fury like a model spurned: A Pearlstein nude attracts the wrong kind of attention


Too many friends ask for the “naked Candace”


detail of John Chamberlain, Untitled, ca.1960. Painted paper, staples, and mixed media on collage board, 11-1/2 x 11-1/2 inches. Courtesy of Allan Stone Gallery

The Probity of Modernism: Collages by John Chamberlain and Alfred Leslie


Striking commonalities in the early works of two very different artists, at Allan Stone through December 23


Thomas Nozkowski, Untitled (N-22), 2010. Pencil and colored pencil on paper, 8-5/8 x 9-15/16 inches. The Pace Gallery

Ground Control to Major Tom: Please re-hang your show


Nozkowski’s current exhibition at Pace includes his best work to date, but the installation is another matter.


Becky Brown, Totem, 2009. Paper, cardboard, wood, paint, 24-1/2 x 8 inches. Courtesy of the Artist

Richard Tuttle Lectures at Columbia Launching Series on Art and Spirituality


His influence, meanwhile, is felt in a group show, organized by Nora Griffin, closing Friday


Rose Wylie, DOT and Detail, 2004, left panel. Oil on canvas, 74 x 144 inches. Courtesy of Thomas Erben Gallery New York

Rose Wylie Packs a Punch at Thomas Erben


Nuance where you least expect it in canvases of rambunctious, street-smart brutalism


Annabeth Rosen, Ztheo, 2009. Ceramic, bailing wire, steel plate and neoprene casters, 58-1/2 x 33 x 26 inches. Courtesy of Meulensteen

Gorgon Triffids on 22nd Street: Annabeth Rosen at Meulensteen


Belated New York solo debut of renowned ceramic sculptor


Evelyn Twitchell, Woods, 2009. Acrylic on clay, 10 x 7 inches. On view in the exhibition, Drawn from Nature, Bowery Gallery, September 7 to October 2, 2010. Courtesy of the Artist

Up Before the Coop Board


Bowery Gallery sets Monday, October 11 as date for reviewing prospective new member