Amelia Rina




More Articles by Amelia Rina


Jordan Fulford and Hernán Díaz, still from Monument, 2015. Interactive digital slideshow, dimensions variable. Courtesy of the artists and the Kadist Foundation.

Something Untranslatable: A Digital Homage to Smithson’s “Monuments”

Tuesday, November 17th, 2015

An online project for the Kadist Foundation explores the codes and changes of Passaic, NJ.


Rokni Haerizadeh, But a storm is blowing from paradise, 2014–2015. Gesso, water color and ink on printed paper, 11 5/8 x 16 1/2 inches. Courtesy of the artist and Callicoon Fine Arts,

The Way of the World: Three Iranian Artists at Callicoon

Thursday, June 11th, 2015

A show of installation works, drawings, readymades, and works by other artists, explores the limits of censorship and autonomy around the world.


Peter Hujar, Candy Darling on Her Deathbed, 1973. Vintage gelatin silver print. © 1987 The Peter Hujar Archive LLC; Courtesy Pace/MacGill Gallery, New York and Fraenkel Gallery, San Francisco.

Candy Says: Remembering Two Artists and One Image

Monday, November 24th, 2014

Looking back at the life of a muse, the work of a photographer.


Christopher Williams; Untitled (Study in Yellow/ Berlin) / Dirk Schaper Studio, Berlin / June 21, 2007 (No. 1); 2008. Chromogenic color print, 20 x 16 inches. Courtesy David Zwirner, New York/London and Galerie Gisela Capitain, Cologne © Christopher Williams.

The Production Line of Credulity: The Rhetoric of Christopher Williams

Wednesday, November 5th, 2014

Williams’s recent retrospective was praised for its critical and visual ingenuity, but was that adoration misplaced?