Collin Sundt



More Articles by Collin Sundt


Steven MacIver, Sentinel 1, 2016. Acrylic and gold on birch wood panel, 23.6 x 19.7 inches. Courtesy of the artist and Dillon Gallery.

In the Spaces of Memory, Geometries of Place: Steven MacIver at Dillon Gallery

Sunday, July 17th, 2016

The painter creates abstractions based on the coast of his home.


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Revisiting the Never-Ending Now: Luigi Ghirri at Matthew Marks

Friday, April 29th, 2016

A survey of the photographer’s work opens vistas onto small moments.


Walter Robinson, Woman III, 1984. Acrylic on canvas. Courtesy of the artist and Moore College.

“Wanting to be Art”: Buy, Sell and Desire in the Paintings of Walter Robinson

Wednesday, March 2nd, 2016

His retrospective, at Moore College, Philadelphia, runs through March 12


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For All Digital Futures

Tuesday, January 13th, 2015

The latest in artcritical’s BOOKMARKED series offers an account of the displacement of photography through Robert Burley’s archival website


Robert Heinecken, Are You Rea #1, 1964–68. Gelatin silver print, 10 13/16 x 7 7/8 inches. Collection Jeffrey Leifer, Los Angeles. © 2013 The Robert Heinecken Trust.

Photo Presence, Video Fantasy: The Life and Work of Robert Heinecken

Monday, October 20th, 2014

A traveling retrospective of Heinecken’s work is as timely as ever.


Minoru Yamasaki, Model of the World Trade Center, ca. 1964. Mixed media. Photograph by Jin Lee P, courtesy of the 9/11 Memorial Museum.

In The Shadow of Loss, Make the World New Again: The 9/11 Memorial Museum

Friday, July 25th, 2014

The new 9/11 Memorial Museum encourages misery, which might be its necessity.