David Brody




More Articles by David Brody


Installation view, DMMDIA at Smack Mellon, 2014.  Photo: Etienne Frossard

A Concentrated Rectangle of Glitz: Rob Hickman in Dumbo

Saturday, March 1st, 2014

His Smack Mellon installation inspires a “rave” review – and a proposition


Paul Glabicki, RELATIVITY # 6, 2013. Graphite pencil, Prismacolor pencil, ink acrylic on paper, 31-1/2 x 34-1/2 inches. Courtesy of the artist and Kim Foster Gallery

Hyper-Saturation of Sign and Signifier: Paul Glabicki’s Relativity

Thursday, January 30th, 2014

At Kim Foster Gallery through February 15


Lori Ellison, Untitled, 2011, gouache on wood panel, 10 x 8 inches. Courtesy of McKenzie Fine Art

Mesmerizing Claustrophobia: Drawings and Paintings by Lori Ellison

Friday, January 24th, 2014

She will be discussed at The Review Panel tonight. Her last show was considered here at artcritical


Matthew Blackwell, He Tries, 2011, detail. Oil and acrylic on canvas with collage, 65-1/5 x 46-1/2 inches. Courtesy of Edward Thorp Gallery

Bear Men in the Twilight Zone: Matthew Blackwell at Edward Thorp

Thursday, November 28th, 2013

His sculptures and paintings explicitly cross-pollinate for the first time


Joan Linder, Counter, sink, 2013. Ink on paper, accordion book, 31 x 156-1/2 inches (open). Courtesy of the Artist and Mixed Greens.

Joan Linder at Mixed Greens

Saturday, May 18th, 2013

on view through May 24


Steve Wheeler, Introducing Miss America II, 1947, Tempera and ink on paper, 9 ¾ x 11 7/8 inches, courtesy of David Findlay Jr Gallery

The Freewheelin’ Steve Wheeler: David Brody and Drew Lowenstein in Conversation

Wednesday, April 10th, 2013

Regulars at artcritical test the enduring relevance of the pioneer Indian Space painter


Elizabeth Riggle, Overture (for Bob and Ray), 2013. Oil on Canvas, 99 x 54 inches. Courtesy of the Artist

Elizabeth Riggle at Art 101 in Williamsburg

Sunday, January 20th, 2013

PARTS IS PARTS: STUDIES FOR A VERTEBRAL OPERA