Writings by David Carrier

Ruth Root


For an abstract painter of her generation, the older distinctions between figurative and abstract art, or between politically critical art and the consumer products of mass culture cease to have much importance. Perhaps that is why her essentially cheerful art shows no signs of th angst which inspired so many of the pioneering Abstract Expressionists.


Successive Approximation: Tauba Auerbach, Daniel Buren, Sol Lewitt, Mike Quinn and Robin Rhode


Too often group exhibitions, especially those that mix together young artists and famous figures, fail to reveal elective affinities. This tight small show, however, revealed that these nine very different looking works of art all shared a genuine concern with successive approximation. And in doing that, it also displayed the totally unexpected relationship of these contemporary works of art with the traditions of old master painting.


Painting Then For Now; Fragments of Tiepolo at the Ca’ Dolfin


When these three Tiepolos at the Met were removed from the main salon of Ca’Dolfin, the intended site-specific lighting effects were lost. But Alpers, Hyde and Kulok recreate the way that, to quote Alpers and Baxandall, “the world, on Tiepolo’s account, presents a conundrum and his painting makes us conscious of having to work to make things out.”


The linear and the painterly: How art today uses its traditions


Saul Steinberg at the Morgan Library, Merlin James at the Studio School


High Times, Hard Times: New York Painting, 1967-1975


an exhibition curated by Katy Siegel with David Reed


James Lee Byars


Perry Rubenstein Gallery, New York NY April 28 – June 24, 2006 Mary Boone Gallery, New York NY April 28 – June 24, 2006 Michael Werner Gallery, New York NY April 27 – June 14, 2006 In Gothic Architecture and Scholasticism (1951) Erwin Panofsky argues that the builders of Gothic churches did not need to read…