David Rhodes




More Articles by David Rhodes


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True Stripes: Sean Scully at Mnuchin

Friday, October 21st, 2016

A survey of Sean Scully’s formative work of the 1980s.


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Diamond in the Smooth: Stephen Westfall at Lennon, Weinberg

Thursday, July 28th, 2016

“Color is liberated to function in a kinetic way”


Installation view of "Juan Uslé: Membrana Porosa," 2016, at Cheim & Read. Courtesy of the gallery.

Heartbeats: The Spanish Rhythms of Juan Uslé

Monday, June 6th, 2016

The artist draws on biological rhythms and the history of Spanish painting.


Ann Pibal, RBWC3, 2013. Acrylic on aluminum, 12-3/4 x 17-3/4 inches. Courtesy of Lucien Terras

Like a Sequence of Thoughts: Ann Pibal at Lucien Terras

Wednesday, January 13th, 2016

quietly resonant color and stringent asymmetry, on view through January 17


Ellsworth Kelly, Woodland Plant, 1979. Transfer lithograph on 300-gram Arches Cover Paper, edition of 100, 80.3 x 120.7 cm. Courtesy of Ingleby Gallery, Edinburgh

Embodied Presence: Ellsworth Kelly, 1923-2015

Thursday, December 31st, 2015

He exposed emotion and poise in subtly modulated, streamlined form.


Suzan Frecon, erre verte, 2014. Oil on linen, two panels, 108 x 87 3/8 x 1 1/2 inches overall. Courtesy of the artist and David Zwirner Gallery.

Light and Liminality: Looking at Suzan Frecon

Thursday, September 17th, 2015

How and why Suzan Frecon’s recent work really succeeds, bending light and color.


Stanley Whitney, Lightnin, 2009. Oil on linen, 40 × 40 inches. Courtesy the artist and team (gallery, inc.), New York

Structured by Color: Stanley Whitney, Works from the 1990s and Now

Thursday, August 20th, 2015

shows at Karma Books (extended through August 30) and the Studio Museum in Harlem