David Rhodes

More Articles by David Rhodes


Diamond in the Smooth: Stephen Westfall at Lennon, Weinberg

Thursday, July 28th, 2016

“Color is liberated to function in a kinetic way”

Installation view of "Juan Uslé: Membrana Porosa," 2016, at Cheim & Read. Courtesy of the gallery.

Heartbeats: The Spanish Rhythms of Juan Uslé

Monday, June 6th, 2016

The artist draws on biological rhythms and the history of Spanish painting.

Ann Pibal, RBWC3, 2013. Acrylic on aluminum, 12-3/4 x 17-3/4 inches. Courtesy of Lucien Terras

Like a Sequence of Thoughts: Ann Pibal at Lucien Terras

Wednesday, January 13th, 2016

quietly resonant color and stringent asymmetry, on view through January 17

Ellsworth Kelly, Woodland Plant, 1979. Transfer lithograph on 300-gram Arches Cover Paper, edition of 100, 80.3 x 120.7 cm. Courtesy of Ingleby Gallery, Edinburgh

Embodied Presence: Ellsworth Kelly, 1923-2015

Thursday, December 31st, 2015

He exposed emotion and poise in subtly modulated, streamlined form.

Suzan Frecon, erre verte, 2014. Oil on linen, two panels, 108 x 87 3/8 x 1 1/2 inches overall. Courtesy of the artist and David Zwirner Gallery.

Light and Liminality: Looking at Suzan Frecon

Thursday, September 17th, 2015

How and why Suzan Frecon’s recent work really succeeds, bending light and color.

Stanley Whitney, Lightnin, 2009. Oil on linen, 40 × 40 inches. Courtesy the artist and team (gallery, inc.), New York

Structured by Color: Stanley Whitney, Works from the 1990s and Now

Thursday, August 20th, 2015

shows at Karma Books (extended through August 30) and the Studio Museum in Harlem

Tom Fairs, Untitled, 1988. Pencil on paper, 7 x 4-3/4 inches. Courtesy of Kerry Schuss

Not A Single Link Too Loose: Tony Feher/Tom Fairs

Sunday, April 26th, 2015

An inspired coupling at Kerry Schuss on the Lower East Side