Writings by Deven Golden

Jeremy Blake, Reading Ossie Clark, 2003. Six stills from the DVD Courtesy Feigen Contemporary

Notes on Jeremy Blake

Can video become the new painting? Not just in the art scene, where video takes an ever larger slice of the exhibition pie, but in the aesthetic sense as well. “Autumn Almanac,” a recent show by Jeremy Blake at Feigen in Chelsea has me wondering.

Mark Lombardi, Charles Keating, ACC, and Lincoln Savings, ca. 1978-90 (5th Version), 1995. Colored pencil and graphite on paper, 31-3/4 x 46-1/4 inches, Collection of Sarah-Ann and Werner H. Kramarsky

Mark Lombardi

Emotional intent is often ascribed to a sensitively rendered line, but to what extent can we say other information – intellect, curiosity, politics – are being transmitted in that same line? Put another way, how much of the spectrum can touch occupy in imparting content to a work of art? The question comes to mind thinking about “Global Networks”, the Independent Curators International exhibition of Mark Lombardi’s work at The Drawing Center in Soho, where twenty-five major drawings by the late artist are currently on display.

Ellen Berkenblit, Pink Flowers on Fence, 2000. Oil on linen, 40 x 36 inches

Notes on Ellen Berkenblit

Ellen Berkenblit has been one of my favorite artists for years. I visited her studio once in the mid-nineties, and have done my best to see her shows whenever possible. A painter of expressionist, hermetic narratives, Berkenblit’s work can be simultaneously colorful, dark, moody, and humorous. With her recurring cast of characters – that include…

Karin Davie, Pushed, Pulled, Depleted & Duplicated #7, 2002. Oil on canvas, 84 x 108 inches, all images courtesy of Mary Boone Gallery

Notes on Karin Davie

Karin Davie at Mary Boone Gallery, New York