
“A Yellow Patch of Wall”: Catherine Lee at Galerie Lelong
Her Quanta series injects the grid with measured sensuality.

On view at Cristin Tierney until December 18

Her Quanta series injects the grid with measured sensuality.
![installation shot of the exhibition under review with Thomas Scheibitz, Standard, 2011, MDF, wood, vinly, lacquer and spray paint, 55-1/2 x 26-3/4 x 5-1/8 inches, to right, and A Panoramic VIEW of Basic Events, 2011 [details in preceding slide] to right. Courtesy of Tanya Bonakdar Gallery installation shot of the exhibition under review with Thomas Scheibitz, Standard, 2011, MDF, wood, vinly, lacquer and spray paint, 55-1/2 x 26-3/4 x 5-1/8 inches, to right, and A Panoramic VIEW of Basic Events, 2011 [details in preceding slide] to right. Courtesy of Tanya Bonakdar Gallery](http://www.artcritical.com/wp-content/uploads/2012/02/ts-install-71x71.jpg)
The German artist’s exhibition continues through February 18

He aspired to be “completely sensate” – spontaneous, but with long periods of revision

Reviews his collected writings, edited by Clark Coolidge, and a study of the late works by poet David Kaufmann.

There’s an internalized severity to her art; its fierce angularity suggests an appetite for sensual abandon constrained by geometry, argues HEARNE PARDEE
Freilicher’s work becomes tighter over time, but the spirit of chance encounter remains.
By relaxing conventional standards of realistic description, Hynes makes her images immediately accessible to the mind and its fluctuations of mood, and enables herself to explore the modernist vision common to the painters that inspire her