Jennifer Riley



More Articles by Jennifer Riley


Graham Nickson, Red, Yellow, Green Sunset, Rome, ca. 1973-74. Oil on linen with hand-painted frame, 12-3/8 x 14-1/4 inches. Courtesy of Knoedler & Company

Staring at the Sun: Graham Nickson at Knoedler & Company

Wednesday, October 12th, 2011

He demonstrates his capture of the transitory in a forty-year sampling.  Through October 21


Greg

Captured Through Accumulation: The Reworked Portraits of Anthony Fisher

Tuesday, January 18th, 2011

Exhibition was at Galerie Mourlot, the Boston artist’s second New York solo


Cora Cohen: Come in a Little Closer at Michael Steinberg

Monday, November 3rd, 2008

Cohen makes evident tribute to the shaping influences of artists such as Kline, de Kooning, Pollock, and Wols and yet, with seemingly equal force of curiosity explores her fascination with the humble, yet visibly rich, impossibly chaotic, anti-heroic marks and stains of life from street culture: the entropy of urbanism.


Melissa Meyer in Black and White: Works on paper, 1984-1994

Thursday, March 1st, 2007

New York Studio School 8 West 8 Street New York City 212 673 6466 December 14, 2006 to February 3, 2007 traveling to the Wiegand Gallery of Notre Dame of Namur University January 20 to March 3, 2008 What is it to exhibit the black and white works on paper of Melissa Meyer made between…


Pat Lipsky at Elizabeth Harris Gallery, Barry Goldberg at Howard Scott Gallery, Kim Uchiyama at Galleria Janet Kurnatowski

Friday, December 1st, 2006

Amid today’s unlimited range of styles and endless combinations of media competing for art world support,  one of the great innovations of early Western modernism, Abstract art, continues to garner attention, evolve, and in many cases deepen in the hands of some of its current practitioners. Such is the case of veteran abstract painter Pat…