John Goodrich



More Articles by John Goodrich


Mario Naves, Louder than God, 2011. Acrylic and oil on canvas on wood, 12 x 16 inches. Courtesy of Elizabeth Harris Gallery

Surface Rhythms: Mario Naves’s Rewarding New Direction

Saturday, January 26th, 2013

His show of paintings is at Elizabeth Harris through February 2nd.


Jean Hélion, Equilibre, 1936. Oil on canvas, 44-7/8 x 57-7/8 inches. Courtesy of Schroeder Romero & Shredder

Permanent Transformation: Jean Hélion at Schroeder Romero & Shredder

Monday, June 18th, 2012

Gem of an exhibition by this enigmatic French modernist is up through June 30


Brett Bigbee, James, 1999-2001. Oil on canvas, 47-3/4 x 22-1/2 inches. Courtesy of Alexandre Gallery

Triggering the Ingres Reflex: Brett Bigbee, His Powers and His Intentions

Monday, January 2nd, 2012

The recent overview of his paintings and drawings was at Alexandre Gallery


radell-cover

Learning to Look: “Nature is the Teacher” at the Painting Center

Wednesday, March 9th, 2011

February 2011 exhibition featured Simon Carr, Stanley Lewis, Thaddeus Radell, and Deborah Rosenthal.


Stuart Shils: Recent Paintings at Tibor de Nagy Gallery and John Dubrow: Small Landscapes at Lori Bookstein Fine Art

Saturday, February 7th, 2009

The exhibitions of Shils and Dubrow overlapped by only a couple days, just enough to allow fresh comparisons between the two. Their differences intrigue: could it be that Shils seeks evocative means of representing, while Dubrow peruses the workings of representation itself?


Max Weber: Paintings from the 1930s, 40s, and 50s at Gerald Peters Gallery

Monday, December 1st, 2008

Woman Holding Tablet (1946) pleasingly and convincingly locates a seated figure within a geometric environment, with ochre tints and warm blacks set deftly against notes of bright coral and medium blue. The rather strenuous engineering of the pose and surroundings, however, give the impression of an exercise – a demonstration of the plastic re-creation of a generic event.


Louisa Matthiasdottir: Selected Paintings at Tibor de Nagy Gallery

Sunday, November 9th, 2008

Throughout this retrospective selection of her work, one senses in Matthiasdottir a luminous reserve – a private temperament joyfully submitting to an exacting task. We’re rewarded with extraordinary evocations of the observed.