Jonathan Goodman




More Articles by Jonathan Goodman


Vicky Colombet, Earth series # 1305, 2014. Oil, pigment, alkyd wash on canvas, 7-3/4 x 5-3/4 inches. Courtesy of Christian Duvernois Landscape/Gallery

A Philosophy of Form: In Vicky Colombet, Abstraction and Nature Meet on Equal Terms

Sunday, December 7th, 2014

Her show continues at Christian Duvernois


Theresa Chong, LU (Walking Carefully), 2014. Gouache and colored pencil on Shikibu Gampi, 12 x 11-3/4 inches. Courtesy of Danese/Corey

Imagined Landscape: Theresa Chong at Danese/Corey

Thursday, November 6th, 2014

A show of small works on paper, through November 15


Mengyun Han, Wandering Mind, 2012. Oil on canvas, 72 x 72 inches. Courtesy of the Artist

Beijing: Mengyun Han at the Today Art Museum

Friday, August 30th, 2013

despite the muddy waters of the Chinese art market, a young painter achieves transcendence


Gregory Corso, his attic room 9 Rue Gît-le-Coeur…., 1957 Gelatin silver print, printed 1984-97. National Gallery of Art, Gift of Gary S. Davis. © 2012 Allen Ginsberg LLC. All rights reserved.

Point Counterpoint: The Photographs of Allen Ginsberg

Sunday, March 31st, 2013

on view at NYU’s Grey Art Gallery through April 6


Jorge Queiroz, H for Heads, 2012. Oil stick and vinyl ink on canvas, 63 x 71 inches. Courtesy of Sikkema Jenkins & Co.

At War With Nature? Jorge Queiroz at Sikkema Jenkins

Tuesday, March 5th, 2013

The Portuguese painter was on view earlier this Spring


Melvin Edwards, Ways of Steel, 1988. Welded steel, 17 x 32-1/4 x 14-5/8 inches. Courtesy of Alexander Gray Associates, New York

Resistance of Steel: Melvin Edwards at Alexander Gray

Saturday, December 1st, 2012

In “Lynch Fragments” chains signify cultural connectedness and violent repression


Fran O’Neill, earthly delight, 2012 (detail). Oil on canvas, 72 x 72 inches. Courtesy of The Artist.

In Hot Pursuit: Fran O’Neill at the Studio School

Friday, September 28th, 2012

Her show of rigorous gestural abstraction is up through October 13