A New York memorial for the Korean-American artist, who died in Seoul last November, took place in June.
A personal statement by artcritical’s regular China hand complements our editorial on the subject
on view through February 19
The French-German abstractionist’s first New York show since 1975, up through December 30
at Derek Eller Gallery until August 13
Reinterpreting Flavin’s purist experiments with light within the medium of oil on linen enables Mosse to describe the moment when color becomes something as indefinable as light.
Jensen is in some ways a reticent painter, removing all signs of a brushstroke. His quietness, though, becomes something else when one regards the casual mastery and expressiveness of color in much of his art.
The drawings are filled with information and speculation.
Linda Cross at the James W. Palmer Gallery, Vassar College and the Beacon Institute of Rivers and Estuaries
She doesn’t paint so much as build her pictures…they seem to convey the reality of water stopped up with manmade detritus.
Carroll Dunham’s rough canvases, tilting toward aggressive sexual assertion and actions of near anarchy, are catchy tunes of hipster malice.