Writings by Katelynn Mills

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Sunset Sex: Loie Hollowell at Feuer/Mesler


Hollowell combines eroticism, landscape, and allusions to natural and human form.


David Mramor, Venus in Bed 3, 2014. Acrylic paint and archival inkjet on canvas, 48 x 72 inches. Courtesy of the artist and PPOW.

De Beauvouir’s Inheritors: “The Woman Destroyed” at PPOW


A painterly, sumptuous show of work by women.


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Sean Scully at Cheim and Read (Ridgewood)


paintings from the 1970s in the gallery’s Queens pop up


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H/er Transformative Art: Genesis Breyer P-Orridge at the Rubin


An installation brings sympathetic magic to the museum.


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“This is how it’s done”: David Salle Curates Recent Painting


“Nice Weather” is at Skarstedt, uptown and Chelsea, through April 16


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Momentous: Shows by Catherine Murphy and Sylvia Plimack Mangold


Two painters delicately depict mundane instants, beautifully.


Aida Ruilova, Rocky, 2016. Vinyl, fan, and hardware, 180 x 185 x 192 inches. Courtesy of the artist and Marlborough Chelsea.

Erogenous Zone: Aida Ruilova’s Erotic “Palace”


The artist’s iconic, sensuous new work borrows from charged 1970s film imagery.


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Really Killer: Anna Ostoya’s Judith


A fractured re-examination of an infamous Renaissance execution image.


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The Quiet One: Morgane Tschiember at Tracy Williams Ltd.


Tschiember’s erotic sculptures call attention to the pre-verbal responses of the bodies to one another.


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History in the Making: Noah Purifoy at LACMA


The late artist’s assemblages move out of the desert and into the museum.