What problems in his work are real, and what are merely imagined?
The painter talks about the continuing importance of one of the 20th century’s most influential artists.
New paintings and early works, adapted from children.
The painter and critic discusses her talismanic, nomadic painting, its history and intersection with feminist performance and poetry.
Using photographs by Koen Wessing, Jaar remembers a moment in the nation’s decades-long cold war strife.
The first in a new series of features of two people taking about one artwork in person.
Debate is of the essence at artcritical as in the world of art
Do the recent conversations about abstract painting miss the point?
The artist’s first solo exhibition at KANSAS, New York, shows his discernment and love of the visual and physical promenade.
Thoughts on negative criticism, The Review Panel and his job from recently appointed Associate Editor