Nora Griffin



More Articles by Nora Griffin


Giosetta Fioroni, Palazzo sul Canal Grande (Palazzo on the Grand Canal), 1970, pencil and aluminum enamel on paper, 39 3/8 x 27 1/2 inches. Courtesy of the artist. Photograph by Giuseppe Schiavinotto.

Imprinting Memory in Space: Giosetta Fioroni at the Drawing Center

Wednesday, May 22nd, 2013

Belated New York debut of Sixties Rome Pop Artist


Amy Feldman, Power Melt, 2013, acrylic on canvas, 80" x 80." Courtesy of the artist and Blackston gallery.

Open Studio Weekend at Marie Walsh Sharpe Art Foundation

Friday, May 3rd, 2013

May 3 – 5: Open Studio Weekend at Marie Walsh Sharpe in Dumbo.


Helly Nahmad

The Art of the Gamble: Feds Bust Helly Nahmad

Monday, April 22nd, 2013

Part of a massive investigation of money laundering activities


Fontana cover detail

Spatialism in Action: Lucio Fontana at Gagosian Gallery

Thursday, July 5th, 2012

His Ambiente Spaziale were on view in May and June


Francesca DiMattio at Salon 94 and Salon 94 Freemans

Sunday, March 1st, 2009

However closely she references classical, renaissance and modernist genres, her paintings never lapse into nostalgia, but instead give off an arch contemporary emotion.


Baker Overstreet: Follies at Fredericks & Freiser

Thursday, November 6th, 2008

Hints of past layers visible beneath the surface are the only counterpunch to a solid machine that affords little room for speculation beyond its shiny and seductive design. The label of “primitive” given to Overstreet and many of his peers in contemporary abstract painting belies a highly stylized, self-conscious approach to image construction.


Geo/Metric: Prints and Drawings from the Collection at The Museum of Modern Art, New York

Monday, September 22nd, 2008

After being run through the pressure chamber of Conceptual Art, geometric forms for many artists working today are not indicative of a strict allegiance to any kind of school of non-objective thought or practice. From the storied history laid out in the rooms of “Geo/Metric” it seems that geometry in art has indeed reached its highest accomplishment: the freedom of eternal fresh starts.