Writings by Piri Halasz

Earning His Stripes: Kenneth Noland in the ‘60s


The forms in Noland’s paintings are usually dismissed as mere devices to enable him to explore color, but the lines and shapes of these paintings have a basis in the natural world as well. They add to the feelings of harmony and serenity that these paintings project, while titles like “Via Light” and “Via Shimmer” suggest Roman roads and air mail stickers, thus ideas of travel and motion and speed.