Writings by Roman Kalinovski

Installation shot of the exhibition under review, courtesy of ART 3/ Silas Shabelewska Gallery

Fulfillment Centers: Brett Wallace at ART3


This recent Bushwick show examined the relationship between digital and physical labor


Robert Overby, DCT, 1973. Oil on canvas, 38½ x 51¼ inches. Courtesy of Fredericks & Freiser

Esquire Showcard: Another layer excavated from the legacy of Robert Overby


at at Fredericks & Freiser through October 22


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Frieze Week Pick of the Day: Julia Westerbeke at Salon Zürcher


Her pinprick drawings are featured at the booth of Salon Zürcher.


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Library of Babel: Ward Shelley’s Complex Taxonomies at Pierogi


The artist’s drawings, paintings, and collaborative installation use Borgesian parodies of organization.


Laura Poitras, ANARCHIST: Power Spectrum Display of Doppler Tracks from a Satellite (Intercepted May 27, 2009), 2016. Pigmented inkjet print mounted on aluminum, 45 × 64-3/4 inches. Courtesy the artist

O’Say Can You See: Laura Poitras at the Whitney


The filmmaker’s exhibition exploits the techniques of its subject: surveillance


Lisa Gwilliam & Ray Sweeten (DataSpaceTime), still from “Oculus 2 (Assumption)”, 2015. 2-channel browser-based grids of animated GIFs, custom code, dimensions variable, duration approximately 8 minutes 30 seconds. Courtesy of the artists

The Third Element: DataSpaceTime at Microscope


Information as raw material: duo Lisa Gwilliam and Ray Sweeten on view in Bushwick


Trevor Paglen. Installation view, 2015. Metro Pictures, New York.

The Squirrel Accumulator: Trevor Paglen and the NSA


Blending the didactic with the paranoid style of conspiracy theories, at Metro Pictures through October 24


Alexi Worth, Green Bedroom, 2015. Acrylic on mylar, 12 x 18 inches. Courtesy of DC Moore Gallery

Through a Green Glass Door Opaquely: Perspectives in Alexi Worth


His show at DC Moore Gallery closes Saturday


John Miller, Untitled (Pedestrian Series), 2014. Acrylic on dibond/gatorboard, 43 1/4  x 26 inches. Courtesy of the artist and Metro Pictures.

This is Real Life: John Miller’s Crafting of Mediated Vision


In two concurrent shows we see the artist address street scenes and game shows as portraits of daily life.


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Richard Phillips Laid Bare: New Monograph on the Hyper-Realist Painter


Richard Phillips: Negation of the Universe from Rizzoli