Stephanie Buhmann




More Articles by Stephanie Buhmann


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Allowing Loose Ends To Linger: dOCUMENTA(13)

Sunday, June 24th, 2012

The  five-yearly international art festival  in Kassel, Germany


Dan Flavin, proposals for (in memory of “Sandy” Calder), 1977. Graphite pencil and colored pencil on graph paper, 17 x 21 7/8 inches Collection of Stephen Flavin (c) 2012 Stephen Flavin/ Artists Rights Society (ARS), New York. Photo: Graham S. Haber, 2011

A Radical’s Romantic Side: Dan Flavin’s Drawings at the Morgan

Wednesday, May 23rd, 2012

A different, private side of the minimalist artist


Horst Ademeit: untitled mixed media / polaroid, 11 x 9 cm Courtesy Galerie Susanne Zander, Cologne

Mystique and conspiracy: The Polaroids of Horst Ademeit

Sunday, July 31st, 2011

An oeuvre of several thousand photographs and hundreds of pages of text.


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Cosmic Close-Ups: Stephen Mueller’s infinite spheres

Sunday, November 21st, 2010

until November 27 at Lennon, Weinberg, Inc.


Messe and Ramda plaza - tallest building in Basel

It’s June so it must be Basel

Tuesday, June 29th, 2010

Art Basel and related fairs in Basel, Switzerland


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Revolution in Felt and Fat: Joseph Beuys’s New York comeback

Monday, May 10th, 2010

Joseph Beuys: Make the Secrets Productive at Pace Gallery, March 5 to April 10, 2010


Gerhard Richter, Abstract Painting (911-3) 2009. Oil on canvas, 78-3/4 X 118-1/8 inches. Courtesy of Marian Goodman Gallery, New York.

Gerhard Richter: Abstract Paintings 2009 at Marian Goodman Gallery

Wednesday, December 30th, 2009

Austere, calming, provocative, aggressive, confronting, soothing, luring, denying – these are some of the adjectives that can be applied to Richter’s new paintings.