Mystique and conspiracy: The Polaroids of Horst Ademeit
Sunday, July 31st, 2011
An oeuvre of several thousand photographs and hundreds of pages of text.
Stephanie Buhmann
Featured Articles by Stephanie Buhmann
The Faceless Bride: Eva Hesse’s Early Paintings at the Brooklyn Museum
Saturday, January 7th, 2012
Spectres: 1960 is on view through January 8
More Articles by Stephanie Buhmann
The Orchestration of Emotions: Marcel Dzama at David Zwirner
Saturday, March 19th, 2011
By layering his compositions, Dzama introduces a notion of spatial depth that is further explored in his dioramas.
Cosmic Close-Ups: Stephen Mueller’s infinite spheres
Sunday, November 21st, 2010
until November 27 at Lennon, Weinberg, Inc.
It’s June so it must be Basel
Tuesday, June 29th, 2010
Art Basel and related fairs in Basel, Switzerland
Revolution in Felt and Fat: Joseph Beuys’s New York comeback
Monday, May 10th, 2010
Joseph Beuys: Make the Secrets Productive at Pace Gallery, March 5 to April 10, 2010
Gerhard Richter: Abstract Paintings 2009 at Marian Goodman Gallery
Wednesday, December 30th, 2009
Austere, calming, provocative, aggressive, confronting, soothing, luring, denying – these are some of the adjectives that can be applied to Richter’s new paintings.
Mark Bradford and Kara Walker at Sikkema Jenkins & Co.
Wednesday, October 7th, 2009
To Walker and Bradford alike, density of visual information is an aesthetic choice that mirrors the mutliple layers of reality and complexity retrieved from subject matter.
