Stephen Maine

More Articles by Stephen Maine

Cy Twombly, Untitled, 1970. Crayon, graphite pencil, ink, oil stick, colored pencil, tape, and cut and torn paper on paper. The Menil Collection, Houston; Gift of the artist. Photograph: Paul Hester © Cy Twombly Foundation

“Soft and Full of Patience”: Cy Twombly at the Morgan

Tuesday, January 6th, 2015

“Treatise on the Veil” on view through January 25

Cary Smith, Pointed Splat #6 (yellow-pink with color blocks), 2013 Courtesy of the artist

The Aldrich at 50: Clutch of Exhibitions Demonstrate Currency of Founder’s Vision

Thursday, December 18th, 2014

on view through April

Blue Note, for Al, 2014. Melted plastic, acrylic pigmented fiberglass, electric lights, 105 x 172 x 35 inches. Courtesy of Loretta Howard Gallery

Quicksand: Judy Pfaff at Loretta Howard and Pavel Zoubok

Saturday, November 8th, 2014

A double whammy show at 531 West 26th Street

Fran Siegel, detail of Navigation, 2010-2011, colored pencil, ink, and cyanotype on cut and folded papers. 116 x 116 x 4 inches. Courtesy of the artist and Lesley Heller Workspace.

Mapping the City: Fran Siegel at Lesley Heller Workspace

Saturday, November 2nd, 2013

Glimpses of anonymous buildings, vacant lots, parking lots, and the distant mountains

John Zurier, Sorgin, 2013. Oil on linen, 21 x 15 inches. Courtesy the artist and Peter Blum Gallery, New York

One Foot In The Sublime: John Zurier at Peter Blum

Saturday, May 25th, 2013

The monochrome paintings achieve greater particularity when worked small

Stephen Ellis, Marine, 2012. Oil and alkyd on linen, 26 x 36 inches. Courtesy of the artist and Von Lintel Gallery, NY

Digital Space: Stephen Ellis at Von Lintel

Tuesday, September 25th, 2012

The veteran of “conceptual abstraction” embraces a new metaphor.


In Fashionable Flower: Lee Friedlander’s Mannequins

Monday, July 16th, 2012

Reflections of the clamorous streetscape invade the dummies’ glamorous domains