Stephen Maine



More Articles by Stephen Maine


cover-cover-rr

In All Their Wondrous Weirdness: Raphael Rubinstein’s Personal Revisionist Dictionary of Art

Friday, October 3rd, 2014

Launch at White Columns, Friday, October 3


Fran Siegel, detail of Navigation, 2010-2011, colored pencil, ink, and cyanotype on cut and folded papers. 116 x 116 x 4 inches. Courtesy of the artist and Lesley Heller Workspace.

Mapping the City: Fran Siegel at Lesley Heller Workspace

Saturday, November 2nd, 2013

Glimpses of anonymous buildings, vacant lots, parking lots, and the distant mountains


John Zurier, Sorgin, 2013. Oil on linen, 21 x 15 inches. Courtesy the artist and Peter Blum Gallery, New York

One Foot In The Sublime: John Zurier at Peter Blum

Saturday, May 25th, 2013

The monochrome paintings achieve greater particularity when worked small


Stephen Ellis, Marine, 2012. Oil and alkyd on linen, 26 x 36 inches. Courtesy of the artist and Von Lintel Gallery, NY

Digital Space: Stephen Ellis at Von Lintel

Tuesday, September 25th, 2012

The veteran of “conceptual abstraction” embraces a new metaphor.


friedl-cover

In Fashionable Flower: Lee Friedlander’s Mannequins

Monday, July 16th, 2012

Reflections of the clamorous streetscape invade the dummies’ glamorous domains


Allison Gildersleeve, Hide Out, 2011. Oil and alkyd on canvas, 52 x 54 inches. Courtesy of Asya Geisberg Gallery

Tunnel Vision: Allison Gildersleeve at Asya Geisberg

Wednesday, April 4th, 2012

Animated touch, sumptuous color and a disquieting absence of context.  Through April 7


Robert Rauschenberg, Untitled [Bathroom Window, Broadway studio], ca. 1961. Gelatin silver print. Photo © Estate of Robert Rauschenberg/VAGA

All the World’s a Combine: Robert Rauschenberg’s Photographs

Tuesday, December 13th, 2011

Review of the new book from D.A.P.