Stephen Maine




More Articles by Stephen Maine


Cary Smith, Pointed Splat #6 (yellow-pink with color blocks), 2013 Courtesy of the artist

The Aldrich at 50: Clutch of Exhibitions Demonstrate Currency of Founder’s Vision

Thursday, December 18th, 2014

on view through April


Blue Note, for Al, 2014. Melted plastic, acrylic pigmented fiberglass, electric lights, 105 x 172 x 35 inches. Courtesy of Loretta Howard Gallery

Quicksand: Judy Pfaff at Loretta Howard and Pavel Zoubok

Saturday, November 8th, 2014

A double whammy show at 531 West 26th Street


Fran Siegel, detail of Navigation, 2010-2011, colored pencil, ink, and cyanotype on cut and folded papers. 116 x 116 x 4 inches. Courtesy of the artist and Lesley Heller Workspace.

Mapping the City: Fran Siegel at Lesley Heller Workspace

Saturday, November 2nd, 2013

Glimpses of anonymous buildings, vacant lots, parking lots, and the distant mountains


John Zurier, Sorgin, 2013. Oil on linen, 21 x 15 inches. Courtesy the artist and Peter Blum Gallery, New York

One Foot In The Sublime: John Zurier at Peter Blum

Saturday, May 25th, 2013

The monochrome paintings achieve greater particularity when worked small


Stephen Ellis, Marine, 2012. Oil and alkyd on linen, 26 x 36 inches. Courtesy of the artist and Von Lintel Gallery, NY

Digital Space: Stephen Ellis at Von Lintel

Tuesday, September 25th, 2012

The veteran of “conceptual abstraction” embraces a new metaphor.


friedl-cover

In Fashionable Flower: Lee Friedlander’s Mannequins

Monday, July 16th, 2012

Reflections of the clamorous streetscape invade the dummies’ glamorous domains


Allison Gildersleeve, Hide Out, 2011. Oil and alkyd on canvas, 52 x 54 inches. Courtesy of Asya Geisberg Gallery

Tunnel Vision: Allison Gildersleeve at Asya Geisberg

Wednesday, April 4th, 2012

Animated touch, sumptuous color and a disquieting absence of context.  Through April 7