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Joan Linder at Mixed Greens
Repetition as a Tool of Revelation: The Work of Keith Smith
Just Off Madison: Open House By Private Dealers Celebrating American Art Week
Swoops, Blobs and Swirls: James Walsh At Spanierman
Relentless Yet Dispassionate: Hilary Harkness at the Flag Art Foundation
Cool Kids and Bathroom Smokers: The View from the Middle of Frieze
Killer Opening For “Murdering The World,” Mark Greenwold’s Long-Awaited Debut at Sperone Westwater
Syntax Is Everything: Stanley Whitney at Team
Portrait of the Artist as a Young Woman: Elena Sisto at Lori Bookstein
Ugo Rondinone: Human Nature at Rockefeller Center
A Rebellious Sensuality: Jene Highstein, 1942 – 2013
Open Studio Weekend at Marie Walsh Sharpe Art Foundation
The Wall is Also a Story: El Anatsui at the Brooklyn Museum
Jene Highstein (1942-2013): Postminimalist Sculptor of Elegance and Idiosyncrasy
A Peek Into The Medicine Cabinet
Ralph Lemon at BAM
The Fifth Leg: Pam Lins at Rachel Uffner Gallery
Redeemed from Aesthetic Limbo: Aimée Price Brown on Pierre Puvis de Chavannes
David Salle sallies forth, round table on Leo Castelli, and troika from polymath Harry Berger, Jr.
Seeing the World Differently: Bill Berkson’s lectures on art and poetry
So Pretty When You Smile: The Gothic Enigmas of Tommy White
Beta Get Your Act Together, PBS: A critical look at their new arts website
Vitality Amidst the Ruins: Lower Manhattan’s gritty golden age
“With the figure, anything is possible”: Nicolas Carone, 1917-2010
Never Trust a Laura Newman Vertical
The Arts Died with Dada: Roy Harris and the Great Debate About Art
The New Jerusalem: Israel Museum reopens
Our Bodies, Ourselves: elles@centrepompidou
Death, Loss, Pain and Longing: Core themes abound in the profound work of Brenda Goodman
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