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Over Here: Three Americans in London, Testing the Boundaries between Object and Subject
A Radical’s Romantic Side: Dan Flavin’s Drawings at the Morgan
How Capitalism Functions: Carol Syzmanski at Guided by Invoices
Of Scientific Pinterest: “Science on the Back End” at Hauser & Wirth
When Academic Isn’t a Dirty Word
The Sweetness of Arabia via Small Town Virginia and Arts and Letters
Eastern Promise: Brice Marden at Matthew Marks
Meth Lab of the Modern Psyche: Dr. Freud’s Consulting Room
“I can’t help you. You’re on your own”: Alison Bechdel’s Graphic Memoir
On an Island in the River – Sunday in Randall’s Park with Frieze
David Park: “The Colors Took My Gaze for a Ride”
Triple Threat! Will Cotton: the Book, the Show, the Ballet
Still a Festival, Not an Art Fair: The Glasgow International
Hell and Back: The Religious Paintings of Peter Howson
Palimpsests of Art and Mind: Three Video Installations by Beryl Korot
Ralph Lemon at BAM
The Fifth Leg: Pam Lins at Rachel Uffner Gallery
Redeemed from Aesthetic Limbo: Aimée Price Brown on Pierre Puvis de Chavannes
David Salle sallies forth, round table on Leo Castelli, and troika from polymath Harry Berger, Jr.
Seeing the World Differently: Bill Berkson’s lectures on art and poetry
So Pretty When You Smile: The Gothic Enigmas of Tommy White
Beta Get Your Act Together, PBS: A critical look at their new arts website
Vitality Amidst the Ruins: Lower Manhattan’s gritty golden age
“With the figure, anything is possible”: Nicolas Carone, 1917-2010
Never Trust a Laura Newman Vertical
The Arts Died with Dada: Roy Harris and the Great Debate About Art
The New Jerusalem: Israel Museum reopens
Our Bodies, Ourselves: elles@centrepompidou
Death, Loss, Pain and Longing: Core themes abound in the profound work of Brenda Goodman
What you bump into when you stand back from a photograph