Artworld
 
Zürcher Studio's booth at Untitled art fair, Miami Beach, December 2013. To left, Brian Belotti: " Belott's wall of small highly decorative panels, each built around a single dirty sock."
“HUBS” is a new category on artists and subjects discussed multiple times at artcritical. ...
 
On Kawara, I AM STILL ALIVE, 1970. Telegram, 6 1/2 x 8 inches. Courtesy of the artist.
On Kawara: January 2, 1933 – June, 2014 ...
 
Stephen Antonakos, The Search, 2011. © 2011 Stephen Antonakos. All Rights Reserved.
A tribute to this subtle master of neon ...
 


lWalter Ledtke. Courtesy of the Metropolitan Museum of Art

Tribute: Walter Liedtke, Curator of Dutch and Flemish painting at the Met


He was the quintessence of a gentleman


claude-simard

The Hungry Connoisseur: Claude Simard, 1956 to 2014


An artist’s eulogy for her dealer, co-founder of Jack Shainman Gallery


Jane Wilson in front her painting, The Open Scene, 1960. Collection of The Museum of Modern Art. Photograph by John Jonas Gruen, May 1960.

“Looking for the Color Behind the Color”: Jane Wilson, 1924 to 2015


Wilson belongs to a tradition of transcendental American landscape


Irena Jurek, David Humphrey and Sarah Goffstein. Photo: Anna Shukeylo

artcritical’s annual bash for writers and staff


at Sean Scully’s Chelsea studio, December 2014


berthot-fromvideo

“I Choose To Be Free”. Jake Berthot, 1939-2014


Touched by the sublime, his painting went beyond the sense of sight


Jane Freilicher, My Cubism, 2004. Oil on linen, 25 x 25 inches. Courtesy Tibor de Nagy Gallery

“A button of color can make the world shake”: Jane Freilicher, 1924-2014


Jane Freilicher is my idea of an artist, writes Thomas Nozkowski


Regine Schumann, Colormirror Hohenzollern, 2013. Fluorescent and phosphorescent, 22 1/2 x 7 7/8 x 2 inches. Courtesy of Lausberg Contemporary, Dusseldorf

Fairy Queen: Art Miami’s Consistency in Quality Can Rival Art Basel/Miami Beach


An emphasis this year on artists from German, including the Zero Group


Peter Hujar, Candy Darling on Her Deathbed, 1973. Vintage gelatin silver print. © 1987 The Peter Hujar Archive LLC; Courtesy Pace/MacGill Gallery, New York and Fraenkel Gallery, San Francisco.

Candy Says: Remembering Two Artists and One Image


Looking back at the life of a muse, the work of a photographer.


Installation shot of Michelle Grabner's 2014 exhibition at James Cohan Gallery

The Ken Johnson Affair Continues: Ken Johnson and Amy Sillman


An Exchange, from Facebook


A double-page from Fragments, lithographs by Marc Desgrandchamps with text by Pliny the Elder, published by Michael Woolworth Publications, 2014

Democratic Art: Print Week Descends Upon New York


IFPDA Print Fair at Park Avenue Armory, E/AB at Art Beam Building, Chelsea