Artworld
 
Zürcher Studio's booth at Untitled art fair, Miami Beach, December 2013. To left, Brian Belotti: " Belott's wall of small highly decorative panels, each built around a single dirty sock."
“HUBS” is a new category on artists and subjects discussed multiple times at artcritical. ...
 
On Kawara, I AM STILL ALIVE, 1970. Telegram, 6 1/2 x 8 inches. Courtesy of the artist.
On Kawara: January 2, 1933 – June, 2014 ...
 
Stephen Antonakos, The Search, 2011. © 2011 Stephen Antonakos. All Rights Reserved.
A tribute to this subtle master of neon ...
 


Sanford Schwartz and Carole Obedin. Photo: Robin Siegel (c) 2013

Killer Opening For “Murdering The World,” Mark Greenwold’s Long-Awaited Debut at Sperone Westwater


Chuck Close, Paul Simon, Elena Sisto, Rackstraw Downes


Jene Highstein, Flora, 2011. Hand hammered stainless steel, ed. 3, 156 x 15 x 14 inches. Photo: Ross Willows. Courtesy of Art Omi

A Rebellious Sensuality: Jene Highstein, 1942 – 2013


with an additional comment by sculptor Alain Kirili


Amy Feldman, Power Melt, 2013, acrylic on canvas, 80" x 80." Courtesy of the artist and Blackston gallery.

Open Studio Weekend at Marie Walsh Sharpe Art Foundation


May 3 – 5: Open Studio Weekend at Marie Walsh Sharpe in Dumbo.


Jene Highstein with his sculpture, Totem, 1980, installed that year in downtown Manhattan. Courtesy of Public Art Fund.

Jene Highstein (1942-2013): Postminimalist Sculptor of Elegance and Idiosyncrasy


Tribute to be posted later this week


Elena Sisto, Red Stretcher, 2013, 30 x 40 inches, oil on linen. Courtesy of Lori Bookstein Fine Art.

Prize Time: Guggenheims and a Pulitzer for artists and a critic


Fellowship awarded to Elena Sisto whose first solo with Lori Bookstein opens Thursday


Helly Nahmad

The Art of the Gamble: Feds Bust Helly Nahmad


Part of a massive investigation of money laundering activities


Bono and Sean Scully at the Drawing Center Gala, April 10, 2013. Photo by Hal Horowitz

Pro Bono: Drawing Center Honors Sean Scully


Report by David Cohen, Photos by Hal Horowitz


Walter Richard Sickert, Visions, Volumes and Recessions, ca.1928/29. Etching.

Canons For Contrarians: David Cohen to deliver inaugural lecture in new series at Blue Mountain Gallery


April 16 at 7pm, 530 West 25th, 4th floor


Chantal Akerman

Who Laughs Last: Chantal Akerman Reads at the Kitchen


Belgian avant-garde filmmaker reads “My Mother Laughs” tomorrow.


Walter Robinson, Jack, 1997. Watercolor on paper, 11 x 9 inches. Courtesy of Dorian Grey Gallery

At Dorian Grey’s for Artist and Editor Extraordinaire Walter Robinson


Indulgence, his latest show, is on view through April 7th