Criticism
Friday, January 6th, 2017
 
KarinSchneider_feature
Cannibalization is a creative act in the artist’s recent show of new text-based and reductivist work. ...
Friday, October 28th, 2016
 
Nathaniel Dorsky, Autumn, 2016. Silent 16mm color film, TRT: 26:00. Courtesy of the artist and New York Film Festival.
Two experimental filmmakers depict the world, using the methodology of poetry. ...
Wednesday, September 14th, 2016
 
rabinowitz_feature
The Israeli sculptor and video artist contends with physical manifestations of war and trauma. ...
 

Tuesday, March 28th, 2017

Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center

Site Specific: Diana Cooper and Lee Boroson at Fordham


Prismatic Shifts, a two person show curated by Carleen Sheehan

Tuesday, March 21st, 2017

Shinji Turner-Yamamoto, Pentimenti #1, 2010. Found plaster and chipped paint fragments, 24kt gold leaf, gesso, clay bole, animal glue, tree resin, 5-1/2 × 8 × inches. Courtesy of Sapar Contemporary

Uprooted from our Native Soil: A Two-Person show asks timely questions about nature and sustainability


Shinji Turner-Yamamoto and Gabriela Albergaria at Sapar Contemporary

Wednesday, March 15th, 2017

Screen Shot 2017-03-15 at 10.13.48 AM

To Organize Delirium: Five Installations by Hélio Oiticica


Currently in Chicago, coming to the Whitney this summer

Wednesday, March 8th, 2017

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Clarity of Facture: David Reed, 1975 at Gagosian


Historical exhibition, curated by Katy Siegel and Christopher Wool, seen earlier this season

Thursday, February 23rd, 2017

Sean Scully, 2014. Photo: Courtesy Museum Ludwig

A Natural-Born Storyteller: The Writings of Sean Scully


Inner: The Collected Writings and Selected Interviews of Sean Scully

Thursday, February 23rd, 2017

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The End of History: Adrian Ghenie at Pace


New works by the Romanian painter were on view at Pace in Chelsea

Tuesday, February 7th, 2017

Yosef Zaritsky, Yehiam (Life on the Kibbutz), 1951. Oil on burlap mounted on canvas, 208 × 228 cm. Collection Tel Aviv Museum of Art

Postwar: A Revisionist Vision from Munich


An major survey exhibition at the Haus der Kunst offers a global approach

Monday, February 6th, 2017

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Autonomous Brushwork: Warhol, Wool, Guyton at Nahmad Contemporary


A small but striking exhibition on the Upper East Side

Tuesday, January 31st, 2017

Terry Adkins, Darkwater Record, 2002. Estate of Terry Adkins, Courtesy Salon 94

“Material Potentialities”: Terry Adkins and His Influence


An important exhibition, last year, at Penn’s Arthur Ross Gallery

Tuesday, January 31st, 2017

Installation shot of the exhibition under review, including, far right, , #14-1959, 1959. Oil on canvas, 60 x 46 inches. Photo: Joan Boykoff Baron

The Marvelous Void: Exhibitions in Los Angeles and New York of John McLaughlin


a major retrospective at LACMA of the Asia inspired abstractionist, through April 16