Criticism
Thursday, August 16th, 2018
 
Selected works by Charles Long, installation shot, Made in L.A. 2018. Courtesy of UCLA Hammer Museum. Photo: Brian Forrest
The fourth “Made in L.A.” is at the Hammer through September 2 ...
Monday, August 13th, 2018
 
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Presented by the museum of her work, through September 30 ...
Monday, August 13th, 2018
 
Gertrude Abercrombie, The Door and the Rock, 1971. Oil on masonite, 8 x 10 inches. Courtesy Karma Gallery.
Surreal paintings from the mid-century Mid West, in the East Village through September 16 ...
 

Friday, August 3rd, 2018

Louis Eilshemius, Mother and Child, 1914, oil on masonite, 21 x 28 1/4 inches

Libidinal Charge: A Summer Group Show at Greenspon


The Seam, the Fault, the Flaw, through August 3

Thursday, August 2nd, 2018

Thomas Bayrle, Mao, 1966. Oil on wood construction and engine, 145 x 148 x 32 cm. Photo: Axel Schneider.

Disrupting the System: Thomas Bayrle at the New Museum


Five-decade survey delving culture, politics, economics, infrastructure

Saturday, July 28th, 2018

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Ekphrasis: Helene Appel at James Cohan


Her second show with the gallery was on Grand Street this month

Monday, July 23rd, 2018

Resource: Art curators Emily Tucker, Elisabeth Samuels and (seated) Anna Kaplan at the Hotel Henry with works by Ani Hoover. Courtesy of the Buffalo Spree

Is Buffalo the Next Berlin?


The capital of Western New York is ripe for artists looking for a place to hang their hats

Monday, July 23rd, 2018

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Black is Beautiful: Fred Wilson at Pace


“Afro Kismet” is on view in Chelsea through August 17

Monday, July 16th, 2018

Installation shot, "Günter Brus: Unrest after the Storm". Photo: Sophie Thun © Belvedere, Vienna, 2018

Mit Schlag: Post War Abstraction in Vienna


Martha Jungwirth at the Albertina, Günter Brus at Belvedere 21

Friday, July 13th, 2018

Chaim Soutine, Sheep Behind a Fence, c. 1940. Oil on canvas, 10-3/4 x 16-1/4 inches. Private Collection, courtesy of the Jewish Museum. Artists Rights Society (ARS), New York/ADAGP, Paris

“Flesh is the reason oil paint was invented”: Chaim Soutine at the Jewish Museum


Flesh, on view through September 16

Tuesday, July 3rd, 2018

Hiraki Sawa (left), Dwelling, 2002. Video, 9:20 minutes; Olafur Eliasson (right), Yellow Double Hung Windows, 1999. Two halogen, 60 watt profle spotlights on tripod with gobos, dimensions variable. Courtesy of the artists and 601Artspace. Photo: Jason Mandella

“Utopian in Nature”: A group show at 601Artspace


Curated by Jesse Penridge and Harriet Salmon, through July 31

Wednesday, June 27th, 2018

Jill Nathanson, Leitmotif, 2018. Acrylic and polymers with oil on panel, 45 x 27-1/2 inches. © Jill Nathanson. Courtesy Berry Campbell Gallery

Elucidations: Jill Nathanson at Berry Campbell


“Nathanson’s colors feel harvested from sensations of all that is sunlit”

Saturday, June 23rd, 2018

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Are You Comfortable, Now? Jordan Wolfson at David Zwirner


Jordan Wolfson: Riverboat song at David Zwirner through June 23