Criticism
 
Jiri Georg Dokoupil, Pokupis, 2014. Soap-lye and pigments on canvas, 61 1/8 x 78 3/4 inches. Courtesy of the artist and Paul Kasmin Gallery.
The artist uses an idiosyncratic technique to make colorful paintings of bubbles, following in a long line of Modernists. ...
 
Lisa Bradley, Through This, 2012. Oil on canvas, 48 x 38 inches. Courtesy of the artist and Hollis Taggart Galleries.
on view Hollis Taggart Galleries through February 28 ...
 
Ed Clark, New Orleans Series #4, 2012. Acrylic on canvas,  53 x 66 inches.
Courtesy of the artist and Stella Jones Gallery, New Orleans.
Two shows highlight the work of contemporary New Orleans artists and others connected to the city. ...
 


Simon Norfolk, The Lewis Glacier, Mt. Kenya, 1987, 2014. Digital chromogenic print, 30 x 40 inches. Courtesy of the artist and Benrubi Gallery.

Afghanistan in Time: Simon Norfolk at Benrubi


A photographer tracks time in a beautiful landscape wounded by war.


lindquist_smoke+water-installation-(12-of-25)

By This River: Greg Lindquist Paints Against Coal-Ash Pollution


An ongoing installation in Wilmington, NC, uses art to call attention to the devastation of environmental despoilation.


Maria Yoon, Nevada Marriage, still from Maria the Korean Bride, 2014. Video, TRT: 75 min. Courtesy of the artist.

Always the Bride: Maria Yoon’s Marriage Experiment


The artist’s documentary about her 50 marriages explores the institution’s changing place in American culture.


Scooter LaForge, Roadside Memorial with Virgin Mary (Bisbee, Az), 2014. Oil on linen, 40 x 40 inches. Photo courtesy of Munch Gallery.

States of Mind: Scooter LaForge Paints Cross-Country


The artist has documented his journey across the United States in bright and colorful paintings of passing moments.


Anne Neukamp, Latz, 2014. Oil, acrylic and tempera on canvas, 78 3/4 by 59 inches. Courtesy of the artist and Mitchell-Innes & Nash.

Like This: An Exhibition of Near-Representations


A show of paintings and sculptures by three women takes allusion as its theme and raison.


Sonia Delaunay Prismes électriques, 1913-1914. Photo Davis Museum at Wellesley College, Wellesley, MA. Courtesy of the Musée d'Art Moderne.

Sonia Delaunay in Paris and London


A traveling retrospective of the artist and designer’s work charts her mix of fine and applied art through the previous century.


Deanna Lee, Eagle Street 1, 2014. Ink on vellum, 8 1/2 x 9 inches. Courtesy of the artist and Robert Henry Gallery.

The Pictorial: Deanna Lee on the Cusp of Figuration and Abstraction


Lee’s panels blend aesthetic and biographical heritage, and show their own creation and materials.


Tom Anholt, Irish Family, 2014, oil on panel, 30 x 40 cm. Courtesy of Galerie Mikael Andersen, Copenhagen

“Another Route to Particularity”: Islanders in Copenhagen


A group show of four Brits at Galerie Mikael Andersen


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“Best When He’s Messy”: Jason Brinkerhoff’s Unfinished Drawings


Taking a cue from Morton Feldman’s remark that “the love of the past in art is something very different to the artist than it is to the audience,” it’s fair to assume that the audience can remain attached to their favorite masters all their lives without very much ado. For the artist, however, a fixity…


Annette Wehrhahn, Traces, 2015. Acrylic and shirt on canvas, 40 x 32 inches. Courtesy of the artist and Soloway Gallery.

Workerism: Annette Wehrhahn at Soloway Gallery


Wehrhahn shows part of artists’ experience: the interdependence of the studio and the home.