criticismBooks
Monday, February 16th, 2015
 
Jason Brinkerhoff, No. 41, Untitled, 2013. Graphite, colored pencil, wax pastel, and spray paint on paper, 12 15?16 × 10 inches.
Taking a cue from Morton Feldman’s remark that “the love of the past in art is something very different to the artist than it is to the audience,” it’s fair to assume that the audience can remain attached to their...
Sunday, October 19th, 2014
 
click to enlarge
Richard Phillips: Negation of the Universe from Rizzoli ...
Friday, October 3rd, 2014
 
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Launch at White Columns, Friday, October 3 ...
 

Saturday, October 16th, 2010

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Redeemed from Aesthetic Limbo: Aimée Price Brown on Pierre Puvis de Chavannes


Her long-awaited catalogue raisonné is published by Yale.

Monday, October 4th, 2010

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Seeing the World Differently: Bill Berkson’s lectures on art and poetry


A review of Bill Berkson’s “Sudden Address: Selected Lectures 1981-2006″ from Cuneiform Press

Tuesday, September 28th, 2010

Polaroid by Julian Schnabel of Mickey Rourke reproduced in the book under review. Courtesy Prestel Publishing

Purloined Destiny: Julian Schnabel’s Polaroids


Julian Schnabel: Polaroids by Petra Giloy-Hirtz is published by Prestel.

Wednesday, September 22nd, 2010

screenshot of pbs.org/arts

Beta Get Your Act Together, PBS: A critical look at their new arts website


No bravos for this lackluster new site, even if the programs trump Bravo’s “Work of Art”

Tuesday, August 24th, 2010

Richard Haas, Fontainbleu Hotel, Miami Beach, Fl. 1986

Walls, ceilings and flaws: a book about murals published as a website


The Mural in America by Francis V. Connor, Ph. D. at muralinamerica.com

Tuesday, August 17th, 2010

Michael Craig-Martin, An Oak Tree, 1973. Glass, water, shelf and printed text, dimensions vary. Private Collection

The Arts Died with Dada: Roy Harris and the Great Debate About Art


In depth review of the semiotician’s pointed pamphlet on the end of art criticism

Monday, June 28th, 2010

Christopher Wool, She Smiles For The Camera I, 2005. Enamel on linen, 104 X 78 inches. Courtesy Luhring Augustine

Painting Abstraction by Bob Nickas


In the 1980s, when painting was commonly said to be dead, many group shows were devoted to abstraction.

Sunday, March 14th, 2010

JerrySaltzCover

Seeing Out Louder: Art Criticism 2003-2009 by Jerry Saltz


Saltz is a great art writer who rarely fails to amuse, entertain and instruct

Thursday, February 4th, 2010

DCIreland

Brian O’Doherty/Patrick Ireland: Between Categories by Brenda Moore-McCann


“His ambition,” Moore-McCann concludes, “is nothing less than a transformation of thinking, looking beyond material objects to underlying systems of belief”

Tuesday, December 1st, 2009

Giambattista Tiepolo, Time Revealing Truth c. 1758. Oil on canvas, 231 x 167 cm. Museum of Fine Arts, Boston. Charles Potter Kling Fund

Tiepolo Pink by Roberto Calasso


Giambattista Tiepolo (1696 – 1770), very famous and much in demand in his lifetime, has a roomful of his enormously tall paintings at the entrance to the European galleries of the Metropolitan Museum. Thought to be just a gifted decorative artist, unlike Piero della Francesca, he has not has not become a culture hero. In a…