Wednesday, October 28th, 2015
View of "Diary: How to Improve the World (You Will Only Make Matters Worse)," 2015, by John Cage, published by Siglio Press. Courtesy of Siglio.
The radically inventive and prolific musician’s ethics and curiosity are revealed in a new diary facsimile by Siglio Press. ...
Sunday, June 21st, 2015
Art Green, United Opposition, 1975. Oil on canvas, 68 1/4 x 47 inches. Courtesy of the artist and Garth Greenan.
A book of the painter’s work captures his complicated use of collage, illusion, and narrative. ...
Monday, February 16th, 2015
Jason Brinkerhoff, No. 41, Untitled, 2013. Graphite, colored pencil, wax pastel, and spray paint on paper, 12 15?16 × 10 inches.
Taking a cue from Morton Feldman’s remark that “the love of the past in art is something very different to the artist than it is to the audience,” it’s fair to assume that the audience can remain attached to their...

Monday, June 28th, 2010

Christopher Wool, She Smiles For The Camera I, 2005. Enamel on linen, 104 X 78 inches. Courtesy Luhring Augustine

Painting Abstraction by Bob Nickas

In the 1980s, when painting was commonly said to be dead, many group shows were devoted to abstraction.

Sunday, March 14th, 2010


Seeing Out Louder: Art Criticism 2003-2009 by Jerry Saltz

Saltz is a great art writer who rarely fails to amuse, entertain and instruct

Thursday, February 4th, 2010


Brian O’Doherty/Patrick Ireland: Between Categories by Brenda Moore-McCann

“His ambition,” Moore-McCann concludes, “is nothing less than a transformation of thinking, looking beyond material objects to underlying systems of belief”

Tuesday, December 1st, 2009

Giambattista Tiepolo, Time Revealing Truth c. 1758. Oil on canvas, 231 x 167 cm. Museum of Fine Arts, Boston. Charles Potter Kling Fund

Tiepolo Pink by Roberto Calasso

Giambattista Tiepolo (1696 – 1770), very famous and much in demand in his lifetime, has a roomful of his enormously tall paintings at the entrance to the European galleries of the Metropolitan Museum. Thought to be just a gifted decorative artist, unlike Piero della Francesca, he has not has not become a culture hero. In a…

Tuesday, December 1st, 2009

Austin Osman, Spare, untitled drawing, nd. Pastel on paper, 10 x 15 inches. Courtesy Caduceus Books

Towards an Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality 1993-2006 by Joseph Nechvatal

Joseph Nechvatal was ahead of the curve. In 1986 he was using computers and computer robotics to make paintings and from 1991-1993 he experimented with computer viruses. Nechvatal co-founded Tellus Audio Cassette Magazine in 1983, and makes audio art to this very day, using computer viruses to influence the compositional process. Nechvatal firmly believes that…

Saturday, August 1st, 2009


Ann Stokes: Artists’ Potter, edited by Tanya Harrod

Some artists change the way that you understand art history. Ann changed the way that I and many other people understood everyday life.

Saturday, August 1st, 2009


Books in Brief

NAMIES AND NEWBIES: THE KRAMARSKY COLLECTION 560 Broadway A New York Drawing Collection at Work 1991-2006, edited by Amy Eshoo, with contributions by Derrick R.Cartwright, James Cuno, Elizabeth Finch, Josef Helfenstein, Glenn D. Lowry, David Mickenberg, Ann Philbin, Earl A. Powell III, Jock Reynolds, and Townsend Wolfe.  Fifth Floor Foundation in Association with Yale University Press,…

Saturday, August 1st, 2009


Provenance: How a Con Man and a Forger Rewrote the History of Modern Art by Laney Salisbury & Aly Sujo

One of art historian Leo Steinberg’s hobby horses  is the way the literature of art generates interpretations that are autonomous of the images being described.  What is written about a work can spin false leads and confused trails that looking directly at the work ought to dispel.  Just as this happens with the historical interpretation of…

Wednesday, July 1st, 2009

Wang Guangyi, Great Criticism: Andy Warhol 2002. Oil on canvas, 300 x 200 cm.

Nine Lives: The Birth of Avant-Garde Art in New China by Karen Smith; and Ai WeiWei by Karen Smith, Hans Ulrich Obrisi, Bernard Fibicher

It may seem odd to locate the birth of the Chinese avant-garde so close to the present, for in the West that period style label is associated with the late 19th Century, but in the early 1980s, China was emerging from a long period of being effectively cut off from the outside world.

Wednesday, April 1st, 2009


Abstract Expressionism and the American Experience: a Reevaluation by Irving Sandler

Is there anyone in our Manhattan art world who does not know Irving Sandler? Much loved, he is our Vasari, the tireless chronicler  who attends every lecture, goes to every show, and knows every artist and critic. In this well illustrated book, a revision of his classic The Triumph of American Painting, he focuses on 1942…