criticismBooks
Sunday, June 21st, 2015
 
Art Green, United Opposition, 1975. Oil on canvas, 68 1/4 x 47 inches. Courtesy of the artist and Garth Greenan.
A book of the painter’s work captures his complicated use of collage, illusion, and narrative. ...
Monday, February 16th, 2015
 
Jason Brinkerhoff, No. 41, Untitled, 2013. Graphite, colored pencil, wax pastel, and spray paint on paper, 12 15?16 × 10 inches.
Taking a cue from Morton Feldman’s remark that “the love of the past in art is something very different to the artist than it is to the audience,” it’s fair to assume that the audience can remain attached to their...
Sunday, October 19th, 2014
 
click to enlarge
Richard Phillips: Negation of the Universe from Rizzoli ...
 

Thursday, January 1st, 2009

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Jean Prouvé by Laurence Bergerot and Patrick Seguin (editors)


Chelsea, New York gallery goers with an astute eye for furnishings will have picked up on the cult status of French mid-century modernist Jean Prouvé.  A vintage specimen of his legendary Potence lamp provides scant illumination and surreally displaced period charm to the very public back office at Sonnabend Gallery, for instance; a weatherworn school…

Thursday, January 1st, 2009

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Beyond Sacred: Recent painting from Australia’s remote Aboriginal Communities: The Collection of Colin and Elizabeth Laverty


Colin Laverty is a Sydney doctor, who, along with his wife Elizabeth, has amassed one of the most singular collections of recent and contemporary aboriginal art in Australia. This book documents the collection, containing clear, color-accurate reproductions, photographs of the landscapes in which particular artists work and some portraits. There are informed essays throughout. The…

Monday, December 1st, 2008

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Old Masters, New World: America’s Raid on Europe’s Great Pictures by Cynthia Saltzman


At the end of the Civil War, there were very few significant paintings in America. By the start of the Great War, however, thanks to a surprisingly small group of men and women, the extensive collections we possess today had started to be formed. Cynthia Saltzman, a marvelously writerly writer, has studied the literature, read…

Monday, December 1st, 2008

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New China New Art by Richard Vine


Vine and artist Zhang Hongtu present revised/expanded edition at New York Public Library this Wednesday (February 1)

Saturday, November 1st, 2008

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Antonie’s Alphabet: Watteau and His World by Jed Perl


I enjoyed every word of this beautifully composed book, a virtuoso performance by a writer at the top of his form, who almost never fails to be totally engaging.

Saturday, November 1st, 2008

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Paintings in Proust: A Visual Companion to “In Search of Lost Time” by Eric Karpeles


Thanks to the very fully annotated correspondence, in 38 volumes, we know a great deal about Marcel Proust’s tastes in visual art. When young he frequented the Louvre, went to the Low Countries and, under the spell of John Ruskin, traveled to see France’s medieval churches. He devoted long essays to Gustave Moreau and Monet,…

Thursday, May 1st, 2008

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Art Power by Boris Groys


Using few footnotes, this collection of Boris Groys’s essays offers a compulsively original account of contemporary art and the political systems that support it. Educated in the former USSR, now a professor in Germany who also teaches at NYU, he brings to contemporary art theory a highly original perspective. Groys discusses fundamental topics: the nature…

Saturday, March 1st, 2008

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The Artwork Caught by the Tail: Two on Francis Picabia from MIT


Francis Picabia and Dada in Paris by George Baker and I Am a Beautiful Monster: Poetry, Prose, and Provocation by Francis Picabia

Friday, February 1st, 2008

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The Theatre of the Face: Portrait Photography Since 1900 by Max Kozloff


Published by Phaidon Press, 2007, www.phaidon.com 336 pages, 280 black & white photographs, 70 color photographs $69.95 When the findings of history, a discussion of uses and the reconstruction of story blend with criticism, portrait content, I hope, is enlivened. Still, the narratives within it keep on turning, like the expressions on faces, themselves… (p….

Wednesday, December 15th, 2004

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de Kooning: An American Master by Mark Stevens & Annalyn Swan


“de Kooning: An American Master” By Mark Stevens & Annalyn Swan Knopf, 2004 752 pages, $35 With typical existentialist panache, Francis Bacon coined the phrase “exhilarated despair,” an oxymoron that rings true for Willem de Kooning, whom Bacon admired. Not so much for his work, necessarily, which runs the gamut of emotions and sensations (although…