criticismDispatches
 
Andrew Lampert, still from DCP/Steenbeck, 2014. Video, TRT 4:53 minutes. Courtesy of the artist.
A show examining our relationship to tech, old and new. ...
 
Rupert Goldsworthy, Anita and Brian, 2014. Acrylic on canvas, 72 x 72 inches. Courtesy of the artist and Ritter/Zamet Gallery.
An exhibition of new work raises insights about the history of culture, fashion, and representation. ...
 
Martial Raysse, Made in Japan, 1963. Collage, photograph, oil and wood on canvas, work in three sizes, 125 x 192,5 cm. Pinault Collection Palazzo Grassi Spa - photo : Santi Caleca. © Adagp, Paris 2014.
Retrospective reveals ambivalent embrace of popular culture ...
 


Jake and Dinos Chapman, The Sum of all Evil (detail), 2012-2013. Courtesy of the Artists and White Cube

Just As Juvenile When They Were Juvenile: Jake & Dinos Chapman in their hometown of Hastings


Report from English south coast on local boys made bad


Paul Hardy, Caryatid, 2014. Oil on linen, 24 x 16 inches. As seen in the exhibition, Et ensuite, on recommence, Parisian Laundry

The Perils and Pleasures of the Contemporary Biennale: Case in Point, Montreal


What it may lack in celebrity it makes up for in local vim and vigor


Jessica Cheung, Self Portrait, from the Umbrella Revolution series, 2014, unfinished.

Painting from the Barricades: Self-Portrait with a Yellow Umbrella


Statement of artist protester Jessica Cheung and comment by David Cohen


Robert Janitz, Mirrors, 2014. Oil, wax, flour on linen, 63.5 x 51 cm. Courtesy of the artist and Meyer Riegger Berlin.

L’Orientaliste on the Continent: Robert Janitz in Berlin


The artist’s first solo show in Berlin runs through October 25.


Will Bruno, Something Shocking, 2014. Oil on paper, 15 x 11 inches. Courtesy of the artist.

Comic Revelations and Reappearances: Works by Will Bruno


An adventurer in the Pacific Northwest exhibits the record of his recent journeying.


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A Dispatch from “Manifesta 10″


David Carrier reports on the politics and curatorial gambits of “Manifesta 10,” now on view in St. Petersburg.


The Brisbane Powerhouse. Photograph by Jon Linkins.

Scene Down Under


Juliet Helmke reports on the Australian arts community.


Emmanuel Cooper, Stoneware with volcanic glaze (detail), ca. 1990s. Courtesy of the artist and Ruthin Craft Centre. Photograph by Dewi Tannatt Lloyd.

Flows of Light and Form: The Life and Work of Emmanuel Cooper


Darren Jones remembers the elemental work and personality of the English ceramicist.


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“They are looking for answers”: Jawad al Malhi at Al-Ma’mal Foundation


Jawad al Malhi’s work documents the lives, struggles and culture of young men in the Middle East.


Andy Wicks. Courtesy &Model Gallery.

Letter from Leeds


Yorkshire is a surprising hub for contemporary art in the UK