criticismDispatches
Thursday, August 16th, 2018
 
Selected works by Charles Long, installation shot, Made in L.A. 2018. Courtesy of UCLA Hammer Museum. Photo: Brian Forrest
The fourth “Made in L.A.” is at the Hammer through September 2 ...
Monday, August 13th, 2018
 
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Presented by the museum of her work, through September 30 ...
Monday, July 23rd, 2018
 
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The capital of Western New York is ripe for artists looking for a place to hang their hats ...
 

Monday, July 16th, 2018

Installation shot, "Günter Brus: Unrest after the Storm". Photo: Sophie Thun © Belvedere, Vienna, 2018

Mit Schlag: Post War Abstraction in Vienna


Martha Jungwirth at the Albertina, Günter Brus at Belvedere 21

Wednesday, May 16th, 2018

Clive Hodgson, Untitled, 2017. Oil on canvas, 55 x 60 cm. Courtesy of the Artist and Arcade Gallery, London

The Limits of Viability: Clive Hodgson’s ostensibly failed paintings


An exhibition in two parts in London this winter

Wednesday, May 2nd, 2018

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From the Ragged to the Glazed, the Distilled to the Distressed: A Survey of Ceramics in LA


“Melting Point” at the Craft & Folk Art Museum

Tuesday, March 27th, 2018

Installation shot of the room selected by Riccardo Muti with Masaccio's Trinity.

The Museum Reimagined: “Carta Bianca” at Museo di Capodimonte


Locals let loose with famed Naples collection, through June 17

Thursday, March 22nd, 2018

Trevor Winkfield, Upwardly Dripping, 2009. Acrylic on linen, 12 x 12 inches. Courtesy of the artist and Tibor de Nagy Gallery

A Credit-Worthy Show of Trevor Winkfield, at Milton Art Bank, Milton, PA


Plus a show of his work at Tibor de Nagy Gallery, New York

Wednesday, December 6th, 2017

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Race, History, and the Body Theatrical in Atlanta, Georgia


Four exhibitions dealt with these timely issues this fall

Tuesday, November 7th, 2017

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“A Search For Solace”: Karl Ove Knausgård Curates Edvard Munch


The exhibition was at the Munch Museum, Oslo, this summer

Saturday, October 14th, 2017

Damien Hirst, The Warrior and the Bear, 2017. All rights reserved, DACS 2017

Triumph of the Readymade: Damien Hirst in Venice


“Treasures from the Wreck of the Unbelievable” at Palazzo Grassi/Punta della Dogana

Wednesday, July 5th, 2017

Sepideh Behrouian, Double Cup, 2016, oil on magazine page, 8.2 x 11.4 inches. Image courtesy of the gallery.

A Hybrid State: Art by seven Iranian-American women


Echo, curated by Azita Moradkhani, at Gallery Kayafas

Tuesday, June 13th, 2017

Installation shot of "Tous contre le spectacle" , private exhibition curated by Wolfgang Scheppe, Venice, 2017

The Return of the Real: Venice Biennale 2017


The first of artcritical’s dispatches from Europe this summer