criticismDispatches
Wednesday, September 14th, 2016
 
rabinowitz_feature
The Israeli sculptor and video artist contends with physical manifestations of war and trauma. ...
Monday, September 12th, 2016
 
ruff_feature
Process and history are manipulated and explored through Ruff’s use of found photographs. ...
Sunday, July 17th, 2016
 
Maclver_feature
The painter creates abstractions based on the coast of his home. ...
 

Tuesday, November 7th, 2017

munch-cover

“A Search For Solace”: Karl Ove Knausgård Curates Edvard Munch


The exhibition was at the Munch Museum, Oslo, this summer

Wednesday, July 5th, 2017

Sepideh Behrouian, Double Cup, 2016, oil on magazine page, 8.2 x 11.4 inches. Image courtesy of the gallery.

A Hybrid State: Art by seven Iranian-American women


Echo, curated by Azita Moradkhani, at Gallery Kayafas

Tuesday, June 13th, 2017

Installation shot of "Tous contre le spectacle" , private exhibition curated by Wolfgang Scheppe, Venice, 2017

The Return of the Real: Venice Biennale 2017


The first of artcritical’s dispatches from Europe this summer

Thursday, May 18th, 2017

Jennifer Coates and David Humphery, Untitled, 2017. Acrylic on canvas, 22 x 30 inches. Courtesy of the artists

Phrogz That Collaborate: Jennifer Coates and David Humphrey in Nebraska


Husband and wife team up at hip Lincoln powerhouse, Fiendish Plots

Thursday, May 11th, 2017

Wilmer Wilson IV, still from Channel, 2017. Photo by Allison McDaniel, courtesy of the artist.

The Heroism of the Crowd: Flânerie at the Barnes Foundation


Person of the Crowd: The Contemporary Art of Flânerie is on view in Philadelphia through May 22

Friday, April 14th, 2017

Yvette Brackman, AGIT MEM, 2016. Video still. Courtesy of the Artist

The Gentle Art of Disruption: Three Shows in Philadelphia


Stephanie Bursese and Yvette Brackman at Vox Populi, Patrick McCaughy at Practice Gallery

Tuesday, February 7th, 2017

Yosef Zaritsky, Yehiam (Life on the Kibbutz), 1951. Oil on burlap mounted on canvas, 208 × 228 cm. Collection Tel Aviv Museum of Art

Postwar: A Revisionist Vision from Munich


An major survey exhibition at the Haus der Kunst offers a global approach

Sunday, December 4th, 2016

William King, Marry Me, 2010. Balsa, polychrome, 28 x 16 x 8-1/2 inches. From the collection of Connie Fox, Photo: Jenny Gorman

Your Feet’s Too Big: Connie Fox and William King at the Guild Hall, East Hampton


Artist couple exhibition is on view through December 31

Saturday, November 5th, 2016

Clyfford Still, PH-950, 1950. 
Oil on canvas, 233.7 x 177.8 cm. 
Clyfford Still Museum, Denver (c) City and County of Denver / DACS 2016.
Photo courtesy the Clyfford Still Museum, Denver, CO

Conflicted Ambitions: Abstract Expressionism at London’s Royal Academy


Art made in turbulent times revisited in a conflicted present

Thursday, September 8th, 2016

Allen Ruppersberg, The Singing Posters: Poetry Sound Collage Sculpture Book, 2006. installation shot in the exhibition under review

Space is the Central Fact: The Beats at the Centre Pompidou


“There’s an appealing narrative, with a French inflection, to this voyage of marginalized individuals”