criticismDispatches
Thursday, August 16th, 2018
 
Selected works by Charles Long, installation shot, Made in L.A. 2018. Courtesy of UCLA Hammer Museum. Photo: Brian Forrest
The fourth “Made in L.A.” is at the Hammer through September 2 ...
Monday, August 13th, 2018
 
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Presented by the museum of her work, through September 30 ...
Monday, July 23rd, 2018
 
Screen Shot 2018-07-23 at 5.46.53 PM
The capital of Western New York is ripe for artists looking for a place to hang their hats ...
 

Thursday, March 1st, 2007

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Andrew Krasnow: Of The Flesh ~ Skin Works 1990-2005


ADM PROJECT 6015 Santa Monica Blvd Los Angeles, CA  90038 323.467.7967 October 27th – February 3rd 2007 By TOBEY CROCKETT Andrew Krasnow’s retrospective exhibition, “Of The Flesh: Skin Works 1990-2005” at  ADM Project in Hollywood is an extraordinary exhibition, by almost any standard.  While the show also includes part of an older film depicting the…

Monday, January 1st, 2007

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From Vietnam: Some Hanoi Artists


In his second dispatch from the Vietnamese capital, Joe Fyfe visits the studios of Vu Dan Tan, Maritta Nurmi, Phuong Nguyen Linh, Pham Ngoc Duong. I once visited a famous American painter, getting old by that time, who had spent his formative artistic years in Paris before returning to the U.S. Commenting on another American artist…

Friday, December 1st, 2006

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Eleanor Wood: Mixed media on paper


Don Soker Contemporary Art 49 Geary Street San Francisco 415 291 0966 November 1 to December 14, 2006 Minimalism strikes me as being quaintly obsolete, deriving from a formalist aesthetic that indulges in endgame polemics, arrogantly defining itself as the logical terminus of all previous painting and as the ultimate position that painting can take….

Wednesday, November 1st, 2006

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Report from Hanoi


Rienke Enghardt and Tran Trung Tin at Art Vietnam, Hanoi HANOI–Areas of the city feature numerous art galleries aimed primarily at the tourist business. Hundreds of insipid decorative paintings are for sale. Oddly, there is more than an occasional almost interesting one. Some of the more adventurous Hanoi artists also produce for the commercial painting…

Friday, September 1st, 2006

Walking With Me 1997, charcoal, shellac, oil and pastel on paper, 67 x 30 inches, Courtesy the Block Museum of Art and the Artist

Jim Dine: Some Drawings, at the Block Museum, Evanston


As Dine exhibits at the Morgan Library, a 2006 review of an Illinois show.

Friday, September 1st, 2006

Tom of Finland, Untitled (1963). Graphite on paper, 11-1/2 x 8-3/16 inches

Tom of Finland: Rough


Western Project 3830 Main Street Culver City, California   90232 310-838-0609 www.western-project.com July 29–September 9, 2006 Tom of Finland invites an intimate, comedic gaze. If there were two keys words for his work, they would be “freedom” and “narrative,” rather than “hot” and “hunky” as some might hazard. True, the topics of a Finland portrait…

Saturday, July 1st, 2006

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A Turn in Sri Lanka


Religion is a natural subject with Sri Lankan artists. “I am a Tamil and was a Hindu but now I am a Christian”, said one.” I am a Buddhist but I pray to the Virgin Mary”, said another. “I was informed that you were a Buddhist monk,” I mentioned to an artist, “is this true?”…

Saturday, April 1st, 2006

Tom Otterness, Big, Big Penny, 1993. Bronze, edition of 3, 71-¼ x 65 x 13 inches. Courtesy the Artist

Tom Otterness in Beverly Hills


Beverly Hills City Hall 450 N. Crescent Dr. Beverly Hills, Ca.  90210 (310) 550-4796 November 15, 2005 – April 30, 2006 Tom Otterness apparently heard that people like money in Beverly Hills. Indeed, his eight sculptures on display on the west lawn of Beverly Hills City Hall tell a story about entrepreneurship, American justice, and…

Monday, March 1st, 2004

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Jörg Immendorff: I Wanted to be an Artist


Golden Paley Galleries at Moore College of Art and Design 20th Street and The Parkway Philadelphia, PA 19103 215 568 4515 23 January – 21 March This expert survey of Jörg Immendorff’s career reassesses an artist whose period of notoriety in America lasted a relatively short time in the 1980’s. This was partly a matter…

Sunday, February 1st, 2004

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Polly Apfelbaum


Contemporary Arts Center, Cincinnati 44 East 6th Street, Cincinnati, Ohio 513 345 8400 6 December 2003 to 29 February 2004 The “feminine” used to be equated with fragility, delicacy, and quiet refinement. Polly Apfelbaum’s works are all of these things while also revealing the artist’s capacity to subvert such equations and redefine “women’s work.” Her…