criticismDispatches
Thursday, August 16th, 2018
 
Selected works by Charles Long, installation shot, Made in L.A. 2018. Courtesy of UCLA Hammer Museum. Photo: Brian Forrest
The fourth “Made in L.A.” is at the Hammer through September 2 ...
Monday, August 13th, 2018
 
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Presented by the museum of her work, through September 30 ...
Monday, July 23rd, 2018
 
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The capital of Western New York is ripe for artists looking for a place to hang their hats ...
 

Wednesday, May 11th, 2016

Robert Irwin, Untitled, 1969. Acrylic on cast-acrylic disc, 48 inches. Courtesy of the artist and the Hirshhorn.

Speculative Modernism: Robert Irwin at the Hirshhorn


Can Modernism’s history be seen through the lens of Irwin’s work?

Monday, May 9th, 2016

Nøne Futbol Club, Work nº2B : La tonsure (after Marcel Duchamp), 2015 Collage, 21 x 29,7 cm Courtesy Nøne Futbol Club et Galerie Derouillon

Network as Artist: The Web as Creator of Aesthetic Experience


Co-workers: le raseau comme artiste, an inclusive exhibition in Paris

Friday, May 6th, 2016

Group IX/SUW, No. 17. The Swan, No. 17, by Hilma af Klint. Courtesy of Stiftelsen Hilma af Klints Verk. Photo: Moderna Museet / Stockholm

“If a spirit told me to do this, I’d do it”: Painters Respond to Hilma af Klint


A report from London where her show is at the Serpentine Gallery

Wednesday, April 27th, 2016

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The Common Methods of Commonwealths: An Exhibition by Alice Könitz


Interaction and collaboration build and use community at LA’s artist-run spaces.

Monday, April 25th, 2016

Scott Zieher, Wave Pattern, 2015. Collage on found paper, 14 x 11 inches. Courtesy of the artist and Ampersand.

SkyDancers and Concrete Poetry: Scott Zieher at Ampersand


The collagist and gallerist presents “Totems & Cantos” in Portland, OR.

Saturday, April 23rd, 2016

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Little Boxes: Samara Golden at Yerba Buena


A new installation holds a mirror to the stultifying nature of cookie-cutter housing.

Tuesday, April 19th, 2016

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Black Flag: CAPITAL at Minnesota Street Project


A short show of heavy materials and tough, beautiful artworks.

Tuesday, March 1st, 2016

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Freewheeling: Josh Reames and José Lerma Collaborate


Their monumental collaboration on view at Luis de Jesus in LA

Monday, February 29th, 2016

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“The object of power is power”: Erika Blair at Rope Gallery


A performance at a Baltimore gallery that raises questions about government intrusion and our responses to it.

Wednesday, January 20th, 2016

Joseph Mallord William Turner, Depositing of John Bellini’s Three Pictures in La Chiesa Redentore, Venice, 1841. Oil on canvas, 29 x 45 1/2 inches. Courtesy of the Paul G. Allen Family Collection.

500 Years of Earth: A Survey of Landscapes at the Portland Art Museum


A traveling exhibition presents the changing way artists have approached nature over the past half millennium.