criticismDispatches
Wednesday, September 14th, 2016
 
rabinowitz_feature
The Israeli sculptor and video artist contends with physical manifestations of war and trauma. ...
Monday, September 12th, 2016
 
ruff_feature
Process and history are manipulated and explored through Ruff’s use of found photographs. ...
Sunday, July 17th, 2016
 
Maclver_feature
The painter creates abstractions based on the coast of his home. ...
 

Thursday, November 14th, 2013

Antonio Lopez, Gianni Versace Campaign, 1984. Copyright the Estate of Antonio Lopez, courtesy The Suzanne Geiss Company

Hard But Used: Gender, Sexuality and Drawing


Keep Your Timber Limber was at London’s ICA this summer

Friday, August 30th, 2013

Mengyun Han, Wandering Mind, 2012. Oil on canvas, 72 x 72 inches. Courtesy of the Artist

Beijing: Mengyun Han at the Today Art Museum


despite the muddy waters of the Chinese art market, a young painter achieves transcendence

Thursday, August 22nd, 2013

Figment-Project-1

Et in Pittsburgh Ego: Figment


Live from Andy Warhol’s grave. A collaboration of The Andy Warhol Museum and EarthCam

Tuesday, July 30th, 2013

Michael Landy, Saint Jerome, 2012, mixed media, 310 x 245 x 106 cm. Duerckheim Collection. © Michael Landy, courtesy of the Thomas Dane Gallery, London / Photo: The National Gallery, London.

Sacred and Profane Machines: Michael Landy at the National Gallery, London


Martyrdom has never been this much fun before

Friday, March 29th, 2013

Alex Katz, Sea, Land, Sky, 1959. Cut and pasted paper, 8-5/8 x 11 inches. © Alex Katz/Licensed by VAGA, New York, NY Digital Image

Sea, Land, Sky: Alex Katz in England


An overview of his work traveled to seaside venues while his latest was on view in London

Friday, March 29th, 2013

Sarah Lucas, Untitled (Tit Chair), 2012. Courtesy of Sadie Coles HQ, London

Maximum Gross-Out, Model Form: Sarah Lucas and Antony Gormley


Two very different kinds of sculpture in London

Monday, February 18th, 2013

Richard Hamilton, 'Hotel du Rhône', 2005. Private Collection. © Courtesy of the Estate of Richard Hamilton.

What Made Richard Hamilton So Different, So Appealing?


The Late Works at London’s National Gallery

Wednesday, February 6th, 2013

Ellen Lanyon, Hat, Pin & Scarf, 1999. Acrylic on canvas, 22 x 22 inches. Pennsylvania Academy of the Fine Arts.

“…That Women Tend To Make”: The Female Gaze at the Pennsylvania Academy


The show that Ken Johnson previewed with incendiary effect.

Monday, November 19th, 2012

Luc Tuymans, Allo! IV, 2012. Oil on canvas, 50-3/8 x 71-5/8 inches. Courtesy David Zwirner, New York/London

Each To His Own Tahiti: Peter Doig and Luc Tuymans in London


Moon and Sixpence moments for two contemporary painters

Tuesday, September 4th, 2012

Rudolf Stingel, Untitled, 1987. Oil and enamel on canvas, 78 by 186 inches. Courtesy of Paula Cooper Gallery

Abstraction Goes Underground: The Painting Factory at LA MoCA


“Abstraction After Warhol” featured 11 painters, most not using brushes