criticismExhibitions
Saturday, April 4th, 2015
 
Russell Roberts, Paper Bed, Concrete Head #1, 2015. Oil on canvas, 30 x 30 inches. Courtesy of Heskin Contemporary
Grid paintings that take a serial risk ...
Friday, April 3rd, 2015
 
Thomas Hart Benton, Woodland Stream, Martha's Vineyard/Chilmark Landscape, 1922. Oil on metal, 4 1/2 x 7 7/8 inches. Photo courtesy of FreedmanArt.
Exhibitions at the New York Studio School and Freedman Art examine art about its own creation. ...
Thursday, March 19th, 2015
 
Francesca Woodman, Untitled, New York (N.409), 1979. Vintage Color Print, 3-3/8 x 3-1/2 inches. © Francesca Woodman/ Courtesy of Marian Goodman Gallery
‘I’m trying my hand at fashion photography’ was on view through March 12 ...
 

Friday, April 24th, 2015

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Parade: Eve Sonneman Diptychs at Nohra Haime


A poet’s point of view. On view Midtown through April 25

Thursday, April 16th, 2015

Installation shot, From Now On In at Brian Morris Gallery and Buddy Warren Inc. showing works by Carrie Moyer, Tom Burckhardt and Michael Berryhill. Courtesy of Brian Morris Gallery

It’s Not What You Think: From Now On In at Brian Morris/Buddy Warren


Michael Berryhill, Tom Burckhardt, Steve DiBenedetto, Lydia Dona, Fabian Marcaccio, Carrie Moyer, Alexi Worth

Thursday, April 16th, 2015

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Viral Feminism: Anicka Yi at The Kitchen


A recent installation at The Kitchen explores the interrelation of the female body and the rhetoric of invasion and medicine.

Wednesday, April 15th, 2015

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Resplendent: Judith Simonian at Edward Thorp


“She demonstrates a genius for color, texture, and the exploration of spatial conundrums”

Sunday, April 5th, 2015

Thomas Chimes, Untitled, 1965. Mixed media metal box, 18-1/2 x 13-1/2 inches. Courtesy of Locks Gallery, Philadelphia. Photo: Joseph Hu

Metal Boxes: A Hermetic Side of Thomas Chimes


An exhibition of atypical mid-career works was shown at Locks last year

Friday, March 27th, 2015

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The Collector’s Take on Ownership: Brad Troemel at Zach Feuer


An exhibition of collectibles and art examines the relation between the trade in celebrity and the trade in aesthetic objects.

Wednesday, March 25th, 2015

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Darkly Iridescent: Vivienne Griffin at Bureau


The artist uses formalism and psychedelia to explore the ways in which we search for freedom from our personal and cultural histories.

Friday, March 20th, 2015

Marsha Cottrell, Aperture Series (15), 2014. Laser toner on paper, unique, 11-3/4 x 18-1/8 inches. Courtesy of Eleven Rivington

The Deliciousness of Staying Still: Marsha Cottrell at Eleven Rivington


“she treats electrostatic toner as a rich, primordial mezzotint”

Friday, March 20th, 2015

Installation view of "Judith Scott Bound and Unbound," 2015. Courtesy of the Brooklyn Museum.

Boundless: Judith Scott at the Brooklyn Museum


A retrospective of a deaf and mute outsider artist lets her sculptures speak for themselves.

Wednesday, March 18th, 2015

Julian Kreimer, Turquoise Fence, 2015. Oil on canvas, 66 x 68 inches. Courtesy of the artist and Lux Art institute.

“A Dead Cactus Becomes an Abstract Painting”: Julian Kreimer at Lux Art Institute


The artist produces paintings en plein air, but those he deems unsuccessful are transformed into colorful abstractions in the studio.