criticismExhibitions
Wednesday, August 9th, 2017
 
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Exuberant joy in the face of anguish; through September 10 ...
Tuesday, July 18th, 2017
 
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For Dumas, the question of extinction also points to violence against African-Americans ...
Tuesday, July 11th, 2017
 
Florine Stettheimer, Self-Portrait with Palette (Painter and Faun), ca. 1915, oil on canvas. Avery Architectural & Fine Arts Library, Columbia University, New York
“Painting as Poetry” on view through September 25 ...
 

Friday, April 13th, 2018

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From Stasis to Kinesis: The Woosters of Ted Stamm


After years of neglect, Lisson Gallery show offers interpretative clarity.

Tuesday, March 27th, 2018

Perry Hoberman, Suspensions, 2018. Installation view with visitor preparing to wear VR goggles. Courtesy of the artist and Postmasters, New York

Non-Trip to a Non-Site: Perry Hoberman’s Suspensions


Combining virtual reality and assemblage, on view at Postmasters through March 31

Sunday, March 25th, 2018

Marguerite Louppe, Rustic Chair, n.d. Oil on canvas, 82 x 66.5 cm

Bourgeois Charm: Marguerite Louppe and Maurice Brianchon


Husband and Wife painters, on view at Seton Hall University

Thursday, March 15th, 2018

Untitled (Drift Upload), 2017
UV ink on Alumacore
94 x 46 inches

The Willfull Glitch: Chris Dorland and Technological Singularity


His show was at Lyles & King last month

Saturday, February 10th, 2018

Käthe Kollwitz, Seed-Corn Must Not be Ground, 1941. Lithograph , 14.5 x 15.5 inches. Private collection, Courtesy of Galerie St. Etienne

The Volunteers: Graphic Arts by Käthe Kollwitz and Sue Coe


An exhibition of powerful political work at Galerie St. Etienne, through March 10

Sunday, February 4th, 2018

Claire Lieberman, Sunspot Silencer, 2017. Sunspot Silencer, Glass, 5.25 x 10.5 x 2.75 inches. Courtesy of the artist and Massey Lyuben Gallery

Serious Play: Claire Lieberman’s Unidentified Dangerous Beautiful Objects


A show last year at Massey Lyuben Gallery

Sunday, February 4th, 2018

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Biting a Thumb at Monochrome: Jim Lee at Nicelle Beauchene


A show that dwells on the perversity of painting, closing February 4

Thursday, February 1st, 2018

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At the Edge of Land and Water: John Walker’s Landscapes


His recent Studio School show brought together his visceral and pictographic modes

Friday, January 19th, 2018

Barbara Hammer, What You Are Not Supposed To Look At, 2014. Photo, Mylar, x-ray collage. Collaborative project with Ingrid Chhristie (camera). Courtesy of the artist.

How Not to Vanish: Barbara Hammer’s Resilient Gaze


Her show at the Leslie-Lohman is on view through January 28.

Thursday, January 18th, 2018

Pat Adams, Long Soon, 1996. Mixed media on paper, 5.25 x 11.5 5 inches. Courtesy of the artist and Victoria Munroe Fine Art

The Arousal of Kinetic Sensation: Pat Adams at Victoria Munroe


This twenty year survey of the distinguished painter is on view through January 27