criticismExhibitions
Sunday, August 21st, 2016
 
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A show of activist art from across Latin America. ...
Wednesday, July 27th, 2016
 
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Twin surveys of Ader’s short but brightly burning career are mounted in New York and London. ...
Wednesday, July 27th, 2016
 
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Twin surveys of Ader’s short but brightly burning career are mounted in London and New York. ...
 

Sunday, November 27th, 2016

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Sunset Sex: Loie Hollowell at Feuer/Mesler


Hollowell combines eroticism, landscape, and allusions to natural and human form.

Tuesday, November 8th, 2016

Marina Abramovic, The Hero II, 2001 (2008). Gelatin silver print, 35 x 35 inches. Courtesy of David Nolan Gallery

Vive La Revolution


American Artists and the Communist Party at St. Etienne, George Grosz: Politics and Influence at Nolan

Friday, October 28th, 2016

Jane Benson, Faux Faux (Iris Yellow), 2015. Hand cut artificial flower and glass 30 x 15 x 13 inches. Courtesy of the artist and The Parlour Bushwick

Faux Faux and Hooker Shoes: Parlor Games in Bushwick


What a World, What a World at The Parlour Bushwick through November 6

Wednesday, October 26th, 2016

Installation view, "Calvin Marcus: Were Good Men," 2016, at CLEARING Gallery. Courtesy of the gallery.

Spilled Blood: Calvin Marcus at Clearing


A show of new paintings puts questions to cultural assumptions about war.

Friday, October 21st, 2016

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True Stripes: Sean Scully at Mnuchin


A survey of Sean Scully’s formative work of the 1980s.

Thursday, October 20th, 2016

Robert Overby, DCT, 1973. Oil on canvas, 38½ x 51¼ inches. Courtesy of Fredericks & Freiser

Esquire Showcard: Another layer excavated from the legacy of Robert Overby


at at Fredericks & Freiser through October 22

Thursday, October 20th, 2016

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A Passionate Visual Idiom: Carmen Herrera at the Whitney


A segment of her long career leaves a critic hungry for more

Sunday, October 16th, 2016

Rebecca Morgan, Pajama Jug, 2015. Raku ware, 6.75 x 4.5 x 5 inches. Courtesy of the artist.

Hillbillies in Chelsea: Rebecca Morgan at Asya Geisberg


Morgan’s new work develops in the direction of lovingly perverse caricature.

Friday, October 7th, 2016

House of Worth, tea gown, blue cut velvet on a green satin ground, Valenciennes lace, circa 1897. © Stéphane Piera/Galliera/Roger-Viollet.

How To Dress The Guermantes Way: “Proust’s Muse” at FIT


Proust’s Muse, The Countess Greffulhe is on view through January 7

Thursday, October 6th, 2016

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So Slow It Stopped: Teiji Furuhashi at MoMA


MoMA re-stages a 1995 installation by one of Japan’s late, great performance, tech, and collaboration innovators.