criticismExhibitions
 
Mary Lucier, Wisconsin Arc, 2009-2013, Single-channel video installation. Color. Sound. 26:00 (installation view). Courtesy of Lennon, Weinberg, Inc.
closing this weekend at Lennon, Weinberg ...
 
Gabriel Orozco, Island Within an Island, 1993. Silver dye bleach print, 16 x 20 inches, Edition of 5. Courtesy of Marian Goodman Gallery, New York, © 2009 Gabriel Orozco.
On view through May 26 ...
 
Marina Adams, Spin, 2010. Acrylic on Linen, 48 x 48 inches. Courtesy of Hionas Gallery
Quietly audacious abstract paintings on the Lower East Side ...
 


Bettina Blohm, Phoenicia, 2011. Oil on linen, 68 x 84 inches. Courtesy of the Artist

Making New Sense of Abstraction: Lisa Abbott-Canfield and Bettina Blohm


Their joint exhibition at  SUNY College Old Westbury runs through March 15


Janet Fish, Blue Decanter, Polka-Dot Bowl, Suzani, 2009. Oil on canvas, 48 x 70 inches. Courtesy of DC Moore Gallery

Hallucinatory Beauty: The Poetic is the Political in the Still Lives of Janet Fish


Her exhibition, up through March 17, spans a decade of recent work


Ruby Sky Stiller, Nude in Parts, Fig 6, 2011. Foam, acrylic resin, thermal adhesive, 69 x 23 x 14 inches. Courtesy of Vogt Gallery

Bathos of a Profound TItle: THE END at Vogt


Curated by Michael Bühler-Rose and John Connelly, this group show runs through February 25


installation shot of the exhibition under review with Thomas Scheibitz, Standard, 2011, MDF, wood, vinly, lacquer and spray paint, 55-1/2 x 26-3/4 x 5-1/8 inches, to right, and A Panoramic VIEW of Basic Events, 2011 [details in preceding slide] to right. Courtesy of Tanya Bonakdar Gallery

From Bauhaus to DNA: Thomas Scheibitz at Tanya Bonakdar


The German artist’s exhibition continues through February 18


Tim Scott, Wine, 1969. Painted steel tubes and rods with acrylic sheets, 208.5 x 173.5 x 60 inches. Courtesy of Loretta Howard Gallery

Colored Like Burgundy: Tim Scott at Loretta Howard


Vintage works by the British sculptor on view in Chelsea through February 25


Installation shot of the exhibition under review. Courtesy of Y Gallery

Embroidery as Existentialism: Leor Grady’s Objects of Affection


The Israeli artist is at Y Gallery through February 5


Gerhard Richter, Grau, 1974. Oil on canvas, 78 3/4 x 59 1/8 inches. Private Collection. Photo Nicholas Moss

Its a Gray Old World: Grisaille at Luxembourg & Dayan


Not just another color: grisaille in historically diverse show


George McNeil, Landscape Motif, 1968. Oil on panel, 13 x 16 1/8 inches. Courtesy of Ameringer, McEnery, Yohe.

Paintings You Can Jump On: George McNeil in the 1960s


He aspired to be “completely sensate” – spontaneous, but with long periods of revision


Lori Ellison, Untitled, 2011, gouache on wood panel, 10 x 8 inches. Courtesy of McKenzie Fine Art

Mesmerizing Claustrophobia: Drawings and Paintings by Lori Ellison


“Impossibly dense, emphatically wobbly, but geometric to the core.” At McKenzie Fine Art


Simone Jones, All That Is Solid, 2011. Four-screen 3D animation, run time: 12 minutes. Edition of 3

All That Is Solid Melts Into Air: Simone Jones at Ronald Feldman


A new writer at artcritical. The show took place in November/December.