criticismExhibitions
Wednesday, October 10th, 2018
 
Hannes Schmid, Cowboy #230, 2017. Oil on linen, 48 x 71 inches. Courtesy of Mitchell Algus Gallery
on view at Mitchell Algus through October 14 ...
Friday, October 5th, 2018
 
JH-cover
“Hunter Gatherer” closes in Chelsea on Saturday ...
Wednesday, October 3rd, 2018
 
Jason Stopa, The Big Picture, 2018. Oil on canvas, 62 x 48 inches. Courtesy of the artist and Steven Harvey Fine Art Projects.
The Gate was at Steven Harvey in August ...
 

Thursday, February 26th, 2004

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Bill Jensen at Danese, Ying Li at the Painting Center, Marc Quinn at Mary Boone


“Bill Jensen: Duo Duo and Drunken Brush Drawings” at Danese until March 13 (41 East 57th Street, between Park and Madison Avenues, 212-223-2227). Prices: The gallery declined to disclose its prices. “Ying Li” at the Painting Center until February 28 (52 Greene Street, 2nd Floor, between Broome and Grand Streets, 212-343-1060). Prices: $1,800-$4,000. “Marc Quinn”…

Thursday, February 19th, 2004

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Duncan Hannah at JG/Contemporary; de Chirico, Picaba and Warhol at Sperone Westwater; Now is a Good Time at Andrea Rosen


“Duncan Hannah: The Spell of London” JG/Contemporary in Chelsea until March 6 505 W. 28th Street, between 10th and 11th Avenues, 212.564.7662 “Duncan Hannah: Stolen Moments” JG/Contemporary until March 6 1014 Madison Avenue at 78th Street, 3rd Floor, 212.535.5767 “A Triple Alliance: de Chirico, Picabia, Warhol” Sperone Westwater until February 21 415 W. 13th Street, between TK and…

Thursday, February 5th, 2004

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Endless Love: Curated by Mark Greenwold


DC Moore Gallery until February 7 724 Fifth Avenue at 57th Street, 212-247-2111 A version of this article first appeared in the New York Sun, February 5, 2004. Mark Greenwold has a problem. Actually, judging by his bizarre symbolist pictures, he has a few. But from a career perspective, his problem is what to put in…

Sunday, February 1st, 2004

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Ying Li: Recent Paintings


The Painting Center 52 Greene Street New York NY 10013 212 343 1060 February 3-28, 2004 Painting is as old as, well, the hills around Lascaux or Altamira-and yet painters are still finding ways of challenging our expectations. When we walk into a gallery today, we’re liable to be struck by the curiousness of an…

Sunday, February 1st, 2004

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Vincent Desiderio: Paintings and Raymond Han: Still Lives


Marlborough 46 West 57th Street at Sixth Avenue, 212 541 4900 through February 7 Forum Gallery 745 Fifth Avenue at 57th Street, 212 355 4545 through February 7 this article first appeared in the New York Sun on Thursday, February 12, 2004 Figure painting claims greater gravity and issues a tougher challenge than other genres….

Sunday, February 1st, 2004

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Rosemarie Beck: Paintings 1965 – 2001


New York Studio School 8 West 8th Street, New York Tel. 212.673.6466 Rosemarie Beck died in New York in July, 2003. This posthumous exhibition is the final stop on a tour that originated at Wright State University, Dayton, Ohio, in 2002. It is her first in Manhattan in fifteen years. Since the closing of the…

Sunday, February 1st, 2004

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David Storey


CUE Art Foundation 511 West 25th Street, Ground Floor New York, New York 10001 212-206-3583 January 29 – March 6, 2004 David Storey is one of the few formalist painters I can think of who hasn’t replaced inventiveness with monotony. Any painter who invents forms might inevitably fall prey to illusionism, but not so Storey….

Sunday, February 1st, 2004

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Trevor Winkfield: Gardens and Bouquets


Tibor de Nagy Gallery 724 Fifth Avenue, 12th fl New York, NY 10019 212-262-5050 through February 7, 2004 With his fourth exhibition at Tibor de Nagy, Trevor Winkfield brings a new twist to his jazzy, collage-like paintings. Not that the new theme-Gardens and Bouquets-appreciably changes their impression of playful but careful chaos; the mechanistic, semi-abstracted…

Sunday, February 1st, 2004

George Sugarman: Painted Aluminum Sculpture, 1977-1996


Joan T. Washburn 20 West 57 Street, New York, N.Y., 10019 212-397-6780 January 8-February 28, 2004 What if, with a glance, a solid could be made weightless? What if all our ideas about matter were an illusion stemming from a state of mind, which once changed, changed the physical world with it. Then we could…

Sunday, February 1st, 2004

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Cynthia Hartling


N3 Project Space 85 North 3rd Street, 2nd Floor Williamsburg (between Whythe and Berry) Good painting has a way of eluding critical explication. It is often said in critical dialogue about painting that good painting has a quality of inevitability about it. Good painting, they say, could not have been otherwise. Like all truisms, this…