criticismExhibitions
 
Munro Galloway, 65” x 47.5” (What We Talk About When We Talk About Donuts), 2014. Oil, acrylic and inkjet on canvas, 65 x 47 1/2 inches. Photograph by John Berens,  courtesy of the artist and Soloway Gallery.
Galloway show’s his head-hand coordination. ...
 
Samuel Fosso, Le chef qui a vendu l’Afrique aux colons, 1997. C-print, 101 x 101 cm. Courtesy of the Walther Collection.
Fosso challenges visions of African identity through self-portraiture. ...
 
Josh Dorman, Memento Mori (detail), 2014. Ink, acrylic and antique paper on two panels, 56 x 120 inches. Courtesy of the artist and Ryan Lee Gallery.
Geological-, biological-, and mechanical-history paintings as collage. ...
 


Stanley Whitney, Bodyheat, 2012. Oil on linen, 96 x 96 inches. Courtesy of Team Gallery, New York

Syntax Is Everything: Stanley Whitney at Team


on view in Soho through Saturday, May 11


Elena Sisto, Blue Shirt, 2013. Oil on linen, 48 x 24 inches. Courtesy of the artist and Lori Bookstein Fine Art, New York

Portrait of the Artist as a Young Woman: Elena Sisto at Lori Bookstein


Her first show in New York since 2004 and her debut at this gallery


El Anatsui, Gli (Wall) (detail), 2010. Aluminum and copper wire, installation at the Brooklyn Museum, dimensions variable. Courtesy of the artist and Jack Shainman Gallery, New York. Brooklyn Museum photograph

The Wall is Also a Story: El Anatsui at the Brooklyn Museum


The Ghanaian artist’s first solo exhibition in a New York museum, on view till August 4.


David Diao, 40 Years of His Art, 2013. Acrylic and vinyl on canvas, 40 x 60 inches. Courtesy of Postmasters

Towards A Sense of Closure: David Diao’s TMI at Postmasters


The last day of show and space alike is Saturday, April 27.


Jane Irish, Thousand Yard Stare Urn, 2012. Low fire whiteware, china paint, luster and underglaze, 15½ x 8 x 8 inches. Courtesy of Locks Gallery, Philadelphia

Drawing Room Plunder: Jane Irish at Locks Gallery, Philadelphia


Sông H’u’ong: Withdrawing Room is on view through May 10


Ariane Lopez-Huici, Priscille, 2012. Silver gelatin print, 20 x 24 inches. Courtesy of Hionas Gallery

Lavished in Kindness: Ariane Lopez-Huici Photographs Priscille


“Many male viewers are disturbed to discover they are turned on by her mutilated body”


Judith Belzer, Through Lines #27, 2011). Oil on canvas, 64 x 64 inches. Courtesy of Morgan Lehman Gallery

On the Edge: Judith Belzer at Morgan Lehman


Mapping the urbanization of California’s coastline, through April 27


Antonio Dias , Do It Yourself: Freedom Territory, 1968, Adhesive vinyl on floor, overall dimensions variable, Daros Latinamerica Collection, Zürich

In the Air: Conceptual Art, North and South


When artists were still writing postcards and sending faxes. At Hunter College through May 8


Mary Lucier, Wisconsin Arc, 2009-2013, Single-channel video installation. Color. Sound. 26:00 (installation view). Courtesy of Lennon, Weinberg, Inc.

Meditative Continuity: New Video Works by Mary Lucier


closing this weekend at Lennon, Weinberg


Gordon Matta-Clark, Conical Intersect, 1975. Still, 16mm film transfer, 18:40 minutes, silent. Courtesy of David Zwirner Gallery

Other Sights of a Career: Gordon Matta-Clark at David Zwirner


“Matta-Clark wanted to be known as more than the guy who cuts buildings in half”