criticismExhibitions
Saturday, April 4th, 2015
 
Russell Roberts, Paper Bed, Concrete Head #1, 2015. Oil on canvas, 30 x 30 inches. Courtesy of Heskin Contemporary
Grid paintings that take a serial risk ...
Friday, April 3rd, 2015
 
Thomas Hart Benton, Woodland Stream, Martha's Vineyard/Chilmark Landscape, 1922. Oil on metal, 4 1/2 x 7 7/8 inches. Photo courtesy of FreedmanArt.
Exhibitions at the New York Studio School and Freedman Art examine art about its own creation. ...
Thursday, March 19th, 2015
 
Francesca Woodman, Untitled, New York (N.409), 1979. Vintage Color Print, 3-3/8 x 3-1/2 inches. © Francesca Woodman/ Courtesy of Marian Goodman Gallery
‘I’m trying my hand at fashion photography’ was on view through March 12 ...
 

Monday, October 28th, 2013

Jana Winderen, Disco Bay, 2007, field photograph, Greenland. Courtesy of the artist.

Imperfect Pitch: In Search of Sound at MoMA


The museum’s first show dedicated to sound art is up through Nov 3

Friday, October 25th, 2013

David Hammons, Spade (Power to the Spade),1969, Body print, pigment, and mixed media on paper, 53 1/4 x 35 1/4 inches. Collection of Jack and Connie Tilton, New York. On view at Grey Art Gallery, NYU.

Radical Bodies at Grey Art Gallery


A two-part exhibition tells the story of black performance art in the 20th century

Wednesday, October 23rd, 2013

Bjorn Copeland, Remnant Screen IV, 2013. Courtesy of Jack Hanley Gallery, New York

Failing Better: Bjorn Copeland at Jack Hanley


“a Bushwick flaneurial revelling in oddball sidewalk finds”

Monday, October 21st, 2013

William Kentridge, Whichever Page You Open, 2013. Drawing, India ink on Craggs Universal Technological Dictionary, 1826, 80-3/4 x 82-5/8 inches. Courtesy of Marian Goodman Gallery

Old Forms For New Uses: William Kentridge at Marian Goodman and the Met


“He works with archaic materials using self-imposed limitations”

Wednesday, October 16th, 2013

Installation view: Aldo Tambellini, We Are The Primitives Of A New Era at James Cohan Gallery, 2013. Photographer: Bill Orcutt

Spooky and Luscious: Aldo Tambellini at James Cohan


Reconstructed environments of pioneering cameraless films prefigure upcoming MoMA screenings

Saturday, October 12th, 2013

Installation view featuring (on the right) Nine Cosmic CD’s: For The Firespitter (Jayne Cortez), 2013, acrylic on canvas, 45h x 137.5w inches. Courtesy Alexander Gray Associates, New York.

Cosmic Put-on: Notes on Jack Whitten


Paintings of the 4th dimension

Friday, October 11th, 2013

Anne Truitt, Second Requiem, 1977/1980. Acrylic on wood, 84 x 8 x 10 inches. Courtesy of Matthew Marks Gallery

Finding a Place: Anne Truitt from the 1970s at Matthew Marks Gallery


A true independent with a pastoral sense of existing within a landscape

Thursday, October 10th, 2013

Torbjørn Rødland, The Corner, 2008-13, 55 1/8 x 43 5/16 inches. Courtesy of Algus Greenspon.

The New Image: Torbjørn Rødland at Algus Greenspon


A photographer’s serious conceptual tone with a hint of satire

Tuesday, October 8th, 2013

Joanne Ziprin, screen-printed greeting card for Inkweed Art [“Stop doodling! Be my Valentine~”] 4 7?8 x 23 7?8 inches, ca. 1952. Photo credit: Jeffrey Sturges. Courtesy of the artist and Maccarone, New York.

Carol Bove’s Uncanny Authorship


A staged meeting of the art object with its other at Maccarone

Sunday, October 6th, 2013

David Rhodes, Untitled, 2013. Acrylic on raw canvas, 20 x 19 inches. Courtesy of Hionas Gallery

Starkness and Range: David Rhodes at Hionas Gallery


In its last week, a remarkable New York debut on the Lower East Side