criticismExhibitions
 
Mike Yaniro, Caric 1, 2013, graphite and ink on paper, found frame, 21 x 18 inches. Courtesy of Room East.
A young artist’s debut on the Lower East Side plays with language, drawing, and commercial processes ...
 
Installation view: Aldo Tambellini, We Are The Primitives Of A New Era at James Cohan Gallery, 2013. Photographer: Bill Orcutt
Reconstructed environments of pioneering cameraless films prefigure upcoming MoMA screenings ...
 
Torbjørn Rødland, Narrative Stasis (Studio Kabuki), 2008-13, 22 7/16 x 17 3/4 inches. Courtesy of Algus Greenspon, New York.
A photographer’s serious conceptual tone with a hint of satire ...
 


Domenico Gnoli, What is a Monster? Snail on Sofa, 1967. Tempera, acrylic, and ink on carton, 17-1/3 x 24 inches. Fundación Yannick y Ben Jakober Collection, Mallorca, Spain

Sly Sexuality and Rigorous Tailoring: Late Paintings of Domenico Gnoli


Antidote to Arte Povera: His work from the 1960s at Luxemboug & Dayan


Katherine Bradford, Liner Collage, 2013. Mixed media on paper, 11 x 11-3/8 inches. Courtesy of Steven Harvey Fine Art Projects

A New Hero: Katherine Bradford at Edward Thorp


Katherine Bradford: Small Ships is at Steven Harvey Fine Art Projects through October 13.


Dan Flavin, proposals for (in memory of “Sandy” Calder), 1977. Graphite pencil and colored pencil on graph paper, 17 x 21 7/8 inches Collection of Stephen Flavin (c) 2012 Stephen Flavin/ Artists Rights Society (ARS), New York. Photo: Graham S. Haber, 2011

A Radical’s Romantic Side: Dan Flavin’s Drawings at the Morgan


A different, private side of the minimalist artist


Carol Szymanski, Ceci n'est pas un Kosuth, 2012. Blue fluorescent light, approx. 34 x 34 inches. Courtesy of Guided By Invoices

How Capitalism Functions: Carol Syzmanski at Guided by Invoices


“this marvelously suggestive mini-retrospective” is up through May 26


Marc Ganzglass, Shear Pin, 2010. ?Steel shear pin, nickel plated, magnet, 4-1/4 x 2-1/4 x 2 inches. Courtesy of Hauser & Wirth

Of Scientific Pinterest: “Science on the Back End” at Hauser & Wirth


A group show curated by Matthew Day Jackson, until June 16


Brice Marden, Joined, 2011. Oil and graphite on marble, 26 3/4 x 6 5/8 inches. Courtesy of Matthew Marks Gallery

Eastern Promise: Brice Marden at Matthew Marks


Renewing his engagement with Chinese art, his own is richly rewarded


Installation shot of work by David Humphrey in the exhibition under review

Meth Lab of the Modern Psyche: Dr. Freud’s Consulting Room


In this Long Island University exhibition, artists run amok with the idea of Bergstrasse 19


Peter Howson, Outcast, 2011. Oil on canvas, 48¼ x 36¼ inches. Courtesy of Flowers Gallery

Hell and Back: The Religious Paintings of Peter Howson


“Redemption” was on view at Chelsea’s Flowers Gallery March 29 to May 5, 2012


Beryl Korot, Text and Commentary, 1976-1977. detail: linen and wool weavings, each 61 x 24 inches. Photo by John Berens. Courtesy of bitforms gallery nyc.

Palimpsests of Art and Mind: Three Video Installations by Beryl Korot


This mini-survey of works from 1977 to 2008 closes Saturday at bitforms in Chelsea


Jacqueline Humphries, Untitled, 2012. Oil on canvas, 80 x 87 inches. Courtesy of Greene Naftali Gallery

Skepticism Free: The Abstract Paintings of Jacqueline Humphries


A review of her recent show at Greene Naftali