criticismExhibitions
 
Jiri Georg Dokoupil, Pokupis, 2014. Soap-lye and pigments on canvas, 61 1/8 x 78 3/4 inches. Courtesy of the artist and Paul Kasmin Gallery.
The artist uses an idiosyncratic technique to make colorful paintings of bubbles, following in a long line of Modernists. ...
 
Lisa Bradley, Through This, 2012. Oil on canvas, 48 x 38 inches. Courtesy of the artist and Hollis Taggart Galleries.
on view Hollis Taggart Galleries through February 28 ...
 
JOHN MILLER
“Labyrinth 1”
54” by 70”
acrylic/canvas, sound component
1999
COURTESY: MARY BOONE GALLERY
AND METRO PICTURES, NEW YORK.
In two concurrent shows we see the artist address street scenes and game shows as portraits of daily life. ...
 


Arne Svenson, Neighbors #5, 2012, pigment print, 44.5 x 30 inches. Courtesy Julie Saul Gallery, New York.

Painterly Voyeurism: Arne Svenson at Julie Saul


A photographer frames his city neighbors


Susan Bee, Ruckenfigur, 2013, oil on linen, 24 x 30 inches. Courtesy of Accola Griefen Gallery.

Longing Inside the Frame: Susan Bee at Accola Griefen


Cinematic pathos meets painterly expression


Eve Aschheim, Pinch, 2013, oil and graphite on canvas on panel, 22 1/16 x 17 1/4 inches. Image courtesy of the artist and Lori Bookstein Fine Art.

Rigors Apart: Ying Li and Eve Aschheim at the New York Studio School


Two abstract painters take on the elegance of form


Ian Hamilton Finlay, Hommage A Rivière, 2002, wooden half boat, 7 7/8 x 30 3/4 x 4 3/4 inches, IF4633. Image courtesy of David Nolan Gallery.

The Sea, the Sea: Ian Hamilton Finlay at David Nolan


Words as raw materials = playful sculpture


Installation view of Rona Yefman, Mirror (from the project, "My Brother and I") 1996-2010, 35mm color negative, archival inkjet print 19 x 13 inches; and

Queering Kinship: Hervé Guibert, Francesca Woodman, and Others at Callicoon


The hungry ghost and the true friend


Matthew Barney, HYPERTROPHY (incline), 1991, light-reflective vinyl, graphite pencil, and petroleum jelly on paper in self-lubricating plastic frame,10 1/2 x 11 1/2 x 1 1/4 inches. The Museum of Modern Art, New York; gift of R. L. B. Tobin. Copyright Matthew Barney. Digital image courtesy of The Museum of Modern Art/Licensed by SCALA/Art Resource, NY.

Mythology, Mortality, Mailer, and Vaseline: Matthew Barney at the Morgan


An avant-garde ruckus in the library


Tracey Emin: I Followed You To The Sun Installation view, 540 West 26th Street, May 2 to June 22, 2013. Courtesy of the artist and Lehmann Maupin, New York and Hong Kong Photo: Elisabeth Bernstein.

The Limits of Confession: Tracey Emin at Lehmann Maupin


The English enfant terrible scales new heights


Installation view of Hansjoerg Dobliar: "Hysterie und Abstraktion." Courtesy of Johannes Vogt Gallery, New York.

Celestial Order and Hysterical Flourishes: Hansjoerg Dobliar at Vogt


German painter on view through June 15


Gedi Sibony, First There Was This, 2013, light box, 51 x 54 x 10 inches. Courtesy of the artist and Greene Naftali, New York.

Turns of Phrase: Gedi Sibony at Greene Naftali


Rugged minimalism, nursery rhymes, and painterly expression


Ken Price, Big Load, 1988, fired and painted clay, 12 1/2 x 15 1/2 x 17 inches. Collection of Stephane Janssen, Arizona. Photo by Fredrik Nilsen.

Rough Beauty: The Ceramic Sculpture of Ken Price


His retrospective, seen in LA, comes to the Met in June