Ohad Meromi carries the proletarian banner into Nathalie Karg Gallery.
Arson as a kind of avant-garde, reorganizing our experience of the exhibition space.
On view at the New York Studio School through August 10
“…fashion or soft-core erotica are intermittently spaced around the gallery to form an underlayer of camp.”
A drawing animation, absolutely flat and yet 3-D at the same time
Lin’s ecological concerns are apparent, but are they persuasive?
Two artists’ recent shows in Brooklyn explore surface as substance.
Milton Resnick’s long but underappreciated career gets a review and revision at Mana Contemporary.
The Queens Museum untangles the outrage and hypocrisy around Warhol’s commission at the 1964 World’s Fair.