criticismExhibitions
Wednesday, October 10th, 2018
 
Hannes Schmid, Cowboy #230, 2017. Oil on linen, 48 x 71 inches. Courtesy of Mitchell Algus Gallery
on view at Mitchell Algus through October 14 ...
Wednesday, October 3rd, 2018
 
Jason Stopa, The Big Picture, 2018. Oil on canvas, 62 x 48 inches. Courtesy of the artist and Steven Harvey Fine Art Projects.
The Gate was at Steven Harvey in August ...
Saturday, September 29th, 2018
 
A haunting and timely retrospective closes this weekend ...
 

Tuesday, May 3rd, 2016

Begging-Bin-ESHE-(detail),-Photograph-by-David-De-Armas-(use-full-credit-in-checklist)

H/er Transformative Art: Genesis Breyer P-Orridge at the Rubin


An installation brings sympathetic magic to the museum.

Friday, April 29th, 2016

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Revisiting the Never-Ending Now: Luigi Ghirri at Matthew Marks


A survey of the photographer’s work opens vistas onto small moments.

Tuesday, April 26th, 2016

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At a Safe Remove: Omer Fast at James Cohan


a jarring experience, both intellectually and emotionally, his three films are on view through May 7

Thursday, April 21st, 2016

Shimpei Takeda; Trace #7, Nihonmatsu Castle – Nihonmatsu, Fukushima; 2012, printed 2014. Gelatin silver print; 20 1/6 x 23 7/8 inches. Courtesy of the Museum of Fine Arts, Boston.

Intense Immobility: “In the Wake” at Japan Society


Photography, history, loss, and the Tohoku earthquake disaster at Japan Society.

Wednesday, April 20th, 2016

Laura Poitras, ANARCHIST: Power Spectrum Display of Doppler Tracks from a Satellite (Intercepted May 27, 2009), 2016. Pigmented inkjet print mounted on aluminum, 45 × 64-3/4 inches. Courtesy the artist

O’Say Can You See: Laura Poitras at the Whitney


The filmmaker’s exhibition exploits the techniques of its subject: surveillance

Saturday, April 16th, 2016

Jack Whitten, Psychic Intersection, 1979-1980. Acrylic on canvas, 42 × 42 × 1 1/2 inches. Courtesy of the artist and the Studio Museum.

Drawing a Line: “A Constellation” at the Studio Museum in Harlem


A recent group show connects dots between form and narrative.

Saturday, April 16th, 2016

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Unbridgeable Gap: Andrea Fraser Brings Sing Sing to the Whitney


A recent sound art installation at the Whitney tries to link two New York institutions.

Thursday, April 14th, 2016

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John Hodgman Meets John Dewey: Fischli and Weiss at the Guggenheim


Humor and hermeneutics collide in the duo’s retrospective.

Friday, April 8th, 2016

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“This is how it’s done”: David Salle Curates Recent Painting


“Nice Weather” is at Skarstedt, uptown and Chelsea, through April 16

Friday, April 8th, 2016

Installation shot: Ellsworth Kelly, Curve seen from a Highway, Austerlitz. 1970. Gelatin silver print, 8-1/2 x 12-3/4 inches. Courtesy of Matthew Marks Gallery

A Process That Takes Place In The Mind: Ellsworth Kelly’s Photographs


on view at Matthew Marks through April 30