Sunday, August 21st, 2016
A show of activist art from across Latin America. ...
Wednesday, July 27th, 2016
Twin surveys of Ader’s short but brightly burning career are mounted in New York and London. ...
Wednesday, July 27th, 2016
Twin surveys of Ader’s short but brightly burning career are mounted in London and New York. ...

Thursday, April 16th, 2015


Viral Feminism: Anicka Yi at The Kitchen

A recent installation at The Kitchen explores the interrelation of the female body and the rhetoric of invasion and medicine.

Wednesday, April 15th, 2015


Resplendent: Judith Simonian at Edward Thorp

“She demonstrates a genius for color, texture, and the exploration of spatial conundrums”

Sunday, April 5th, 2015

Thomas Chimes, Untitled, 1965. Mixed media metal box, 18-1/2 x 13-1/2 inches. Courtesy of Locks Gallery, Philadelphia. Photo: Joseph Hu

Metal Boxes: A Hermetic Side of Thomas Chimes

An exhibition of atypical mid-career works was shown at Locks last year

Saturday, April 4th, 2015

Russell Roberts, Paper Bed, Concrete Head #1, 2015. Oil on canvas, 30 x 30 inches. Courtesy of Heskin Contemporary

Windows on a Complex World: Russell Roberts at Heskin Contemporary

Grid paintings that take a serial risk

Friday, April 3rd, 2015


Making Art, and Making It Well: Two Recent Group Shows

Exhibitions at the New York Studio School and Freedman Art examine art about its own creation.

Friday, March 27th, 2015


The Collector’s Take on Ownership: Brad Troemel at Zach Feuer

An exhibition of collectibles and art examines the relation between the trade in celebrity and the trade in aesthetic objects.

Wednesday, March 25th, 2015


Darkly Iridescent: Vivienne Griffin at Bureau

The artist uses formalism and psychedelia to explore the ways in which we search for freedom from our personal and cultural histories.

Friday, March 20th, 2015

Marsha Cottrell, Aperture Series (15), 2014. Laser toner on paper, unique, 11-3/4 x 18-1/8 inches. Courtesy of Eleven Rivington

The Deliciousness of Staying Still: Marsha Cottrell at Eleven Rivington

“she treats electrostatic toner as a rich, primordial mezzotint”

Friday, March 20th, 2015

Installation view of "Judith Scott Bound and Unbound," 2015. Courtesy of the Brooklyn Museum.

Boundless: Judith Scott at the Brooklyn Museum

A retrospective of a deaf and mute outsider artist lets her sculptures speak for themselves.

Thursday, March 19th, 2015

Francesca Woodman, Untitled, New York (N.409), 1979. Vintage Color Print, 3-3/8 x 3-1/2 inches. © Francesca Woodman/ Courtesy of Marian Goodman Gallery

Gaze Control: Francesca Woodman at Marian Goodman 

‘I’m trying my hand at fashion photography’ was on view through March 12