criticismExhibitions
 
Stephen Maine, HP11-0402,  2011. Acrylic on panel, 20 x 16 inches. Courtesy of the artist and 490 Atlantic Gallery.
Two artists’ recent shows in Brooklyn explore surface as substance. ...
 
Photograph of Milton Resnick.
Milton Resnick’s long but underappreciated career gets a review and revision at Mana Contemporary. ...
 
Andy Warhol, Nelson Rockefeller, 1967. Acrylic and silkscreen on canvas, 75 x 56 x 1 1/4 inches. Copyright The Andy Warhol Foundation, courtesy of The Queens Museum.
The Queens Museum untangles the outrage and hypocrisy around Warhol’s commission at the 1964 World’s Fair. ...
 


Installation view, “Camille Henrot: The Restless Earth,” New Museum, 2014.
Courtesy of the New Museum, New York. Photo by Benoit Pailley.

Archive of the Everything, Forever: Camille Henrot at the New Museum


Camille Henrot’s ambitious exhibition displays her woven roles as archivist, anthropologist, artist.


Installation view, "Jayson Musson: Abstract Art Exhibit," courtesy of Salon 94.

Punchline in Search of a Comedian: Jayson Musson takes on Nancy


Jayson Musson’s comics-inspired show is at Salon 94 Bowery.


Tom Friedman, Toxic Green Luscious Green, 2014. Paint and Styrofoam, 60 X 96 X 5 1/2 inches. Courtesy of the artist and Luhring Augustine, New York.

What It Is: Juliet Helmke on Tom Friedman


Tom Friedman plays with viewer expectations, using nothing but two materials.


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Radically Conservative: Franklin Einspruch on Susan Vecsey & James Walsh


Susan Vecsey and James Walsh lead the vanguard revival of the Tenth Street abstractionists.


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Outside the Box: David Carrier on the Legacy of Shaped Canvases


Two exhibitions chronicle the disparate and sometimes radical uses of shaped canvases since the 1960s.


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Fuzzy Reception: Michael Berryhill at Kansas


Berryhill’s new punning paintings tease viewers and confound their expectations.


Paul Cézanne, The Buffet, 1887-79. Oil on linen, 65 x 81 cm. Museum of Fine Arts, Budapest

Paul Cézanne: Site/Non-Site


Madrid show applies Robert Smithson’s ideas to Cézanne


Stuart Elster, In Dazzle Blue #2, 2012. Oil on canvas, 16 x 24 inches. Courtesy of Junior Projects

Constructing “Boatness” from the Abstraction of Camouflage: Stuart Elster at Junior Projects


Show references Dazzle campaign of World War I


Shirley Kaneda, Restrained Decadence , 2014. Acrylic and linen on canvas, 64 x 54 inches. Courtesy of Galerie Richard

The Painterly and the Linear: Shirley Kaneda and Robert Mangold


Slow abstractionists of contrasting sensibility in overlapping Chelsea shows


Installation shot of the exhibition under review with, from left, Hare with Forks, c.1924, Plucked Goose, c.1933, The Rabbit, c.1924 and Table with Skinned Rabbit, c.1923. Photography by Chris Burke. Images courtesy of Paul Kasmin Gallery.

Sensuous Orgies of Luminous Writhing Paint: Chaim Soutine Still Lifes


At Kasmin Gallery, West 27th Street, through June 14