criticismExhibitions
Sunday, March 3rd, 2019
 
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A derangement of the senses is arrived at via multifarious stimuli ...
Friday, February 22nd, 2019
 
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Interventions in the permanent collection of American art, up through March 3 ...
Wednesday, February 20th, 2019
 
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His drawing-based show was at Mitchell-Innes & Nash ...
 

Saturday, November 10th, 2018

Kara Walker, Untitled, 2016, graphite on paper, 75 x 37.5 in. ©Kara Walker. Courtesy of the artist and Sikkema Jenkins & Co., New York

Representing Rape: A Powerful Show at John Jay College


Curated by Monika Fabijianska earlier this fall

Monday, November 5th, 2018

Katinka Lampe, 6080179, 2017. Oil on canvas, 31 1/2 x 23 3/5 inches.
Courtesy of Elizabeth Houston Gallery.

Nemo: The Anonymous Portaits of Katinka Lampe and Colin Chillag


Overlapping Lower East Side shows at Elizabeth Houston Gallery

Thursday, November 1st, 2018

Installation shot, Ron Baron: Ode to A Void, at Studio 10, Brooklyn, 2018

Silent Procession: Ron Baron in Bushwick


Ode to a Void, at Studio 10, through Sunday

Saturday, October 27th, 2018

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Initial Impact: Benjamin Pritchard and the Art of Legible Shapes


Wayfarer, his first show at SFA Projects, through Sunday

Sunday, October 21st, 2018

Elena Sisto, Rapunella, 2018. Oil on linen, 24 x 30 inches. Courtesy of the artist and Bookstein Projects

A New Ecology of Signs: Elena Sisto beyond the studio


As We Dream at Bookstein Projects through October 27

Thursday, October 18th, 2018

Installation shot, Graham Nickson: Cumulus, Monumental Trees and Transient Skies, at the New York Studio School, 2018, with works from the Monumental Tree series in the collection of the Louis-Drefus Family Collection. Image courtesy of the New York Studio School

Saturated Color and Subtle Harmonies: Graham Nickson’s Watercolors


“Cumulus, Monumental Trees and Transient Skies”, on view at the New York Studio School

Saturday, October 13th, 2018

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The Sounds of Music: Marilyn Lerner at Kate Werble Gallery


Walking Backward Running Forward was on view this fall

Friday, October 12th, 2018

lunch

Subtle Ambiguities: Katherine Bradford at CANADA


Her show, titled “Friends and Strangers”, is up through October 21

Wednesday, October 10th, 2018

Hannes Schmid, Cowboy #230, 2017. Oil on linen, 48 x 71 inches. Courtesy of Mitchell Algus Gallery

“Fuck Richard Prince”: The Stolen Memes of Hannes Schmid


on view at Mitchell Algus through October 14

Friday, October 5th, 2018

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Endless Cycles of Misogyny: Julie Heffernan at P.P.O.W.


“Hunter Gatherer” closes in Chelsea on Saturday