criticismExhibitions
Sunday, August 21st, 2016
 
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A show of activist art from across Latin America. ...
Wednesday, July 27th, 2016
 
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Twin surveys of Ader’s short but brightly burning career are mounted in New York and London. ...
Wednesday, July 27th, 2016
 
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Twin surveys of Ader’s short but brightly burning career are mounted in London and New York. ...
 

Friday, July 22nd, 2016

Gardar Eide Einarsson, The Next Recession and Where to Hide, 2016. Acrylic, graphite and gesso on canvas, 87 x 71 inches. Courtesy of the artist and Team.

Encompassing Hostility: “Golden Eggs” at Team Gallery


A group show gives Marxist voice to recent unrest in art and politics.

Friday, July 15th, 2016

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Shaped Canvases and Broken Rules: Shapeshifters at Luhring Augustine


A group show explores the contemporary history of unconventional supports.

Thursday, July 14th, 2016

Cora Cohen, 015-11, 2011. Archival ink jet, pencil on paper, 21.25 x 22.5 inches. Courtesy of the Artist

Slippery Conditions: A Show of Drawings by Cora Cohen


Seen at the New York Studio School earlier this summer

Friday, July 1st, 2016

Alisha Wessler, Shedding the Skin, 2016. Watercolor and ink on paper, 22.5 x 30 inches. Courtesy of the artist and Slag Gallery.

Live Fully and Well: Art at Slag Gallery in a Time of Trauma


In the wake of several highly visible acts of violence, artists present works of passion and compassion.

Monday, June 27th, 2016

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Master of Puppets: Jordan Wolfson at David Zwirner


Wolfson’s installation, an animatronic boy, is uncanny and awesome.

Wednesday, June 22nd, 2016

Nicole Eisenman, Dysfunctional Family, 2000. Oil on canvas, 21 x 17 inches. Courtesy of the artist and the New Museum.

Crudely, Playfully: Nicole Eisenman at the New Museum


The painter and sculptor of recent renown has a large survey at the New Museum.

Wednesday, June 22nd, 2016

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Paint Queer, Gender Fluid, Meaning Ambiguous: Nicole Eisenman at Anton Kern


The figure painter confounds the gender roles expected of her subjects.

Sunday, June 19th, 2016

Installation view, "Martin Creed: The Back Door," 2016, at the Park Avenue Armory. Photograph by James Ewing, courtesy of the Park Avenue Armory.

Back Door Man: Martin Creed at the Park Avenue Armory


The Turner Prize-winning artist and musician’s exhibition is currently on view at the Park Avenue Armory.

Saturday, June 18th, 2016

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Haptic Hallucinations: The “Suns” and “Wavy Rays” of Karen Arm


on view at P.P.O.W. through June 25

Friday, June 10th, 2016

Lee Mullican, The Arrival of the Quetzalcoatl, 1963. Oil on canvas, 60 x 50 inches. Courtesy of James Cohan.

Western Culture: Lee Mullican’s Californian Abstraction


A brief history of the work of a West Coast abstract expressionist.