criticismExhibitions
Wednesday, August 9th, 2017
 
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Exuberant joy in the face of anguish; through September 10 ...
Tuesday, July 18th, 2017
 
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For Dumas, the question of extinction also points to violence against African-Americans ...
Tuesday, July 11th, 2017
 
Florine Stettheimer, Self-Portrait with Palette (Painter and Faun), ca. 1915, oil on canvas. Avery Architectural & Fine Arts Library, Columbia University, New York
“Painting as Poetry” on view through September 25 ...
 

Tuesday, March 28th, 2017

Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center

Site Specific: Diana Cooper and Lee Boroson at Fordham


Prismatic Shifts, a two person show curated by Carleen Sheehan

Wednesday, March 8th, 2017

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Clarity of Facture: David Reed, 1975 at Gagosian


Historical exhibition, curated by Katy Siegel and Christopher Wool, seen earlier this season

Tuesday, January 31st, 2017

Terry Adkins, Darkwater Record, 2002. Estate of Terry Adkins, Courtesy Salon 94

“Material Potentialities”: Terry Adkins and His Influence


An important exhibition, last year, at Penn’s Arthur Ross Gallery

Tuesday, January 31st, 2017

Installation shot of the exhibition under review, including, far right, , #14-1959, 1959. Oil on canvas, 60 x 46 inches. Photo: Joan Boykoff Baron

The Marvelous Void: Exhibitions in Los Angeles and New York of John McLaughlin


a major retrospective at LACMA of the Asia inspired abstractionist, through April 16

Tuesday, January 31st, 2017

Dan Walsh, Klimt Book, 2016. Artist's book, 9-1/2 × 14-7/8 inches. Courtesy of Paula Cooper Gallery

The Hermetic and the Everyday: Dan Walsh at Paula Cooper


on view in Chelsea, through February 4

Friday, January 6th, 2017

Karin Schneider, Trisected Square with 16 (O) Paintings, 2016. Exhibition rendering. Courtesy of the artist and Dominique Lévy

“Objects of common desire”: Karin Schneider at Dominique Lévy


Cannibalization is a creative act in the artist’s recent show of new text-based and reductivist work.

Thursday, January 5th, 2017

Guggi, Dusk, 2016. Oil on canvas, 35-3/8 x 35-3/8 inches. Courtesy of the Artist and Yoshii Gallery, New York

Serial Bowls: The Still Life Paintings of Guggi


Ex-Virgin Prune Guggi is a cult figure in Ireland

Friday, December 16th, 2016

Siah Armajani, Tomb for Frank O'Hara, 2016. Painted wood, 54 x 103 x 65 inches. Courtesy of the artist and Alexander Gray Associates.

“Him for whom the world was not enough”: Siah Armajani at Alexander Gray Associates


An ode to poets, a philosopher, and a martyr, as tombs and temples to their greatness.

Wednesday, December 7th, 2016

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Reverberations: Revisiting David Ireland’s “Skellig” Work


The life and work of an influential West Coast Conceptualist, and the estate that houses his legacy.

Tuesday, December 6th, 2016

Siri Berg, Desert, 1970. Painting, 40 x 50 inches. Courtesy of the artist and Peter Hionas

“It’s All About Color”: Siri Berg at the Fiterman


At 95, the artist enjoys her retrospective at the Borough of Manhattan Community College