criticismExhibitions
Friday, January 6th, 2017
 
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Cannibalization is a creative act in the artist’s recent show of new text-based and reductivist work. ...
Sunday, August 21st, 2016
 
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A show of activist art from across Latin America. ...
Wednesday, July 27th, 2016
 
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Twin surveys of Ader’s short but brightly burning career are mounted in New York and London. ...
 

Tuesday, September 6th, 2016

Thomas Moor, Buechel001, 2016. Bubble wrap and mixed media. Courtesy of the artist and Despacio.

Not for Nothing: Two Exhibitions at Despacio


Concurrent solo shows, running at a new experimental space in Costa Rica’s capital, explore the artifacts of collecting.

Friday, September 2nd, 2016

Keegan Monaghan, Thriller, 2016. Courtesy of On Stellar Rays

The Fuzzy Space of Lived Experience: Keegan Monaghan at On Stellar Rays


“The paintings flash a vibrant density across a room”

Saturday, August 27th, 2016

Jayson Musson, Pedestrian (detail), 2014. Fiberglass, powder coated paint, 73 x 32 x 32 inches. Courtesy of the artist and Rachel Uffner.

Soft-Core: A Show of Sculpture at Rachel Uffner


Sculptures and reliefs show their soft side, from the 1960s to the present.

Friday, August 19th, 2016

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Old Gods and New: Sadie Benning at Callicoon and Mary Boone


Twin exhibitions of the transgendered artist’s new work.

Saturday, August 13th, 2016

László Moholy-Nagy, caption details to follow

Light as a New Plastic Medium: László Moholy-Nagy at the Guggenheim


Moholy-Nagy: Future Present on view through September 7

Thursday, August 11th, 2016

William Corwin, Double Doors of the Horizon, 2016. Resin, 14 x 9.5 x 4 inches. Courtesy of Geary Contemporary, New York, 1916

Doors of Perception: William Corwin at Geary Contemporary


His exhibition, titled “Champollion”, closes this week

Friday, July 29th, 2016

Verónica Puche, Granada, 2016. Archival pigment print, 13 x 17 inches. Courtesy of the artist

Overlap: Intersecting Identities at the Baxter St. Camera Club


A survey of new photography about identity.

Thursday, July 28th, 2016

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Diamond in the Smooth: Stephen Westfall at Lennon, Weinberg


“Color is liberated to function in a kinetic way”

Wednesday, July 27th, 2016

Bas Jan Ader, Primary Time, 1974. Color U-matic video tape transferred to DVD, silent, PAL format, TRT: 26 minutes. Copyright the Estate of Bas Jan Ader / Mary Sue Ader Andersen, 2016 / The Artist Right’s Society (ARS), New York. Courtesy of Meliksetian | Briggs, Los Angeles and Simon Lee Gallery, London.

The Fall: Bas Jan Ader at Simon Lee, London


Twin surveys of Ader’s short but brightly burning career are mounted in London and New York.

Friday, July 22nd, 2016

David Mramor, Venus in Bed 3, 2014. Acrylic paint and archival inkjet on canvas, 48 x 72 inches. Courtesy of the artist and PPOW.

De Beauvouir’s Inheritors: “The Woman Destroyed” at PPOW


A painterly, sumptuous show of work by women.