Arson as a kind of avant-garde, reorganizing our experience of the exhibition space.
On view at the New York Studio School through August 10
“…fashion or soft-core erotica are intermittently spaced around the gallery to form an underlayer of camp.”
A drawing animation, absolutely flat and yet 3-D at the same time
Lin’s ecological concerns are apparent, but are they persuasive?
Two artists’ recent shows in Brooklyn explore surface as substance.
Milton Resnick’s long but underappreciated career gets a review and revision at Mana Contemporary.
The Queens Museum untangles the outrage and hypocrisy around Warhol’s commission at the 1964 World’s Fair.
Melanie Schiff’s work encourages viewers to stare at the sun.
Xu Bing’s interest in metamorphosis takes form as two colossal phoenixes.