criticismExhibitions
Saturday, May 14th, 2016
 
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Her extended exhibition closes May 15 at Nathalie Karg on the Lower East Side ...
Saturday, May 14th, 2016
 
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The artist explores the interrelation of intellectual, aesthetic, and corporeal adornment. ...
Wednesday, May 11th, 2016
 
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The artists use ceramics and painting to alter viewers’ perceptions of space and objects. ...
 

Friday, March 25th, 2016

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Law as Symbol: Taryn Simon at Gagosian


The beautification of legal and economic power is pinned down and studied.

Thursday, March 24th, 2016

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America is Hard to See: David Hammons at Mnuchin


A retrospective of 50 years’ work by the cantankerous, teasing, cutting, and loving sculptor.

Thursday, March 24th, 2016

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Momentous: Shows by Catherine Murphy and Sylvia Plimack Mangold


Two painters delicately depict mundane instants, beautifully.

Thursday, March 17th, 2016

Tacita Dean, installation view of Portraits, 2016. 16mm color film, optical sound; TRT: 16:00 Edition of 4 +1AP. Courtesy of Marian Goodman.

Smoke, Clouds, Breath: Tacita Dean at Marian Goodman


An exhibition of new photographic and video work by the YBA.

Saturday, March 12th, 2016

Aida Ruilova, Rocky, 2016. Vinyl, fan, and hardware, 180 x 185 x 192 inches. Courtesy of the artist and Marlborough Chelsea.

Erogenous Zone: Aida Ruilova’s Erotic “Palace”


The artist’s iconic, sensuous new work borrows from charged 1970s film imagery.

Friday, March 11th, 2016

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Built Differently: Mernet Larsen’s Strange Constructions


The artist makes strange use of perspective, planes, and other building blocks of composition and narrative.

Sunday, March 6th, 2016

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BMPT at Hunter College: All There Is To It


A retrospective of the influential abstract painting group.

Sunday, March 6th, 2016

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Really Killer: Anna Ostoya’s Judith


A fractured re-examination of an infamous Renaissance execution image.

Sunday, March 6th, 2016

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Calisthenic Abstraction: Four Decades of David Row


Restless intelligence in evidence at Loretta Howard Gallery

Wednesday, March 2nd, 2016

Walter Robinson, Woman III, 1984. Acrylic on canvas. Courtesy of the artist and Moore College.

“Wanting to be Art”: Buy, Sell and Desire in the Paintings of Walter Robinson


His retrospective, at Moore College, Philadelphia, runs through March 12