criticismExhibitions
Tuesday, August 28th, 2018
 
Gauri Gill. Untitled from the series Acts of Appearance. 2015–ongoing. Pigmented inkjet print. The Museum of Modern Art, New York. Acquired through the generosity of Robert B. Menschel. © 2018 Gauri Gill
“Projects 108” is at PS1 through September 3 ...
Monday, August 13th, 2018
 
Gertrude Abercrombie, The Door and the Rock, 1971. Oil on masonite, 8 x 10 inches. Courtesy Karma Gallery.
Surreal paintings from the mid-century Mid West, in the East Village through September 16 ...
Saturday, July 28th, 2018
 
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Her second show with the gallery was on Grand Street this month ...
 

Tuesday, February 27th, 2018

James Castle, Untitled (Red Jacket), n.d. Found paper, thread, crayon with applied paper buttons, 10.5 x 6.5 inches (Double-sided). The William Louis-Dreyfus Foundation Inc. © James Castle Collection and Archive LP

Beyond Soot and Spit: Rethinking James Castle


An important show of his work at the New York Studio School on view through March 4

Thursday, February 15th, 2018

Hans Hartung, T1982-H29, 1982. Acrylic on canvas, 70.9 x 55.9 inches. Courtesy of Nahmad Contemporary, Perrotin and Hartung-Bergman Foundation

In a Galaxy of their Own Design: Line and Atmosphere in Hans Hartung


A pair of exhibitions makes a case for the German-born post-war French master

Thursday, February 15th, 2018

Suzy Spence, Untitled (Portrait), 2017. Flashe on paper, 16 x 16 inches. Courtesy of the artist and Sears Peyton Gallery, New York

Hunters and Hustlers: Feminism and Theatricality in Suzy Spence and Heather Morgan


Contrasting approaches and messages in two recent shows

Saturday, February 10th, 2018

Käthe Kollwitz, Seed-Corn Must Not be Ground, 1941. Lithograph , 14.5 x 15.5 inches. Private collection, Courtesy of Galerie St. Etienne

The Volunteers: Graphic Arts by Käthe Kollwitz and Sue Coe


An exhibition of powerful political work at Galerie St. Etienne, through March 10

Sunday, February 4th, 2018

Claire Lieberman, Sunspot Silencer, 2017. Sunspot Silencer, Glass, 5.25 x 10.5 x 2.75 inches. Courtesy of the artist and Massey Lyuben Gallery

Serious Play: Claire Lieberman’s Unidentified Dangerous Beautiful Objects


A show last year at Massey Lyuben Gallery

Sunday, February 4th, 2018

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Biting a Thumb at Monochrome: Jim Lee at Nicelle Beauchene


A show that dwells on the perversity of painting, closing February 4

Thursday, February 1st, 2018

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At the Edge of Land and Water: John Walker’s Landscapes


His recent Studio School show brought together his visceral and pictographic modes

Thursday, January 25th, 2018

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Insider Criticism: Mrs. Peter Plagens Reveals All


A review of his show at Nancy Hoffman Gallery by the artist’s spouse

Friday, January 19th, 2018

Barbara Hammer, What You Are Not Supposed To Look At, 2014. Photo, Mylar, x-ray collage. Collaborative project with Ingrid Chhristie (camera). Courtesy of the artist.

How Not to Vanish: Barbara Hammer’s Resilient Gaze


Her show at the Leslie-Lohman is on view through January 28.

Thursday, January 18th, 2018

Pat Adams, Long Soon, 1996. Mixed media on paper, 5.25 x 11.5 5 inches. Courtesy of the artist and Victoria Munroe Fine Art

The Arousal of Kinetic Sensation: Pat Adams at Victoria Munroe


This twenty year survey of the distinguished painter is on view through January 27