criticismExhibitions
 
Elizabeth Ferry, installation view of "Dems Toad," 2014, at Honey Ramka. Courtesy of the gallery.
An exhibition of sculptures and paintings of beastly sexual energy. ...
 
Carla Gannis, The Garden of Emoji Delights, 2014. Digital C-print, detail of left panel. Courtesy of the Artists
On view at Kasia Kay Art Projects, Chicago ...
 
Michael Bell-Smith, Blind on Rips, 2014. Vinyl film on polyester painted aluminum composite panel, 47 1/2 × 35 5/8 inches. Courtesy of the artist and Foxy Production.
Who is the Elmer Fudd of Post-Internet art? ...
 


detail of Roxy Paine, Checkpoint, 2014. Courtesy of Marianne Boesky Gallery

Denuded Lens: Roxy Paine at Marianne Boesky


spatial and informational compression in sculptures of relentless, scrupulous exploration


Richard Prince, installation view, "Richard Prince: New Portraits," 2014, at Gagosian Gallery. © Richard Prince. Courtesy Gagosian Gallery. Photography by Robert McKeever.

Try to Make Yourself a Work of Art: Richard Prince’s New Portraits at Gagosian


Richard Prince uses Instagram, but not in the way most people do.


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Mind Craft: Munro Galloway’s New Paintings and Drawings


Galloway show’s his head-hand coordination.


Samuel Fosso, Mémoire d'un ami, 2000. Gelatin-silver print, 98 x 146 cm. Courtesy of the Walther Collection.

“Would You Please Keep Looking, Please?”: Samuel Fosso at the Walther Collection


Fosso challenges visions of African identity through self-portraiture.


Xanti Schawinsky, Sphera (2859), 1970. Airbrush paint on two layers of stretched guaze on frame, 37 x 36.75 x 1.25 inches. Photograph courtesy of Broadway 1602.

Revival: Xanti Schawinsky is Rediscovered


Two concurrent exhibitions of the artist’s work run in Midtown and Soho.


Josh Dorman, Memento Mori, 2014. Ink, acrylic and antique paper on two panels, 56 x 120 inches. Courtesy of the artist and Ryan Lee Gallery.

Nature Tries Again: Josh Dorman at Ryan Lee


Geological-, biological-, and mechanical-history paintings as collage.


Paul Sietsema, Red painting, 2014. Enamel on linen, 50 1/8 x 46 3/8 inches. Courtesy of the artist and Matthew Marks Gallery.

Trompe-l’oeil and Postmodern Cheek: Paul Sietsema at Matthew Marks


Is trompe-l’oeil painting inherently anti-climactic?


Harry Roseman, March 25, 2005.

Snips and Snaps: Harry Roseman’s Haircuts at Sacha & Olivier


A show that gives new meaning to “salon hang”


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Everything and Nothing At All: Roman Opalka Painting Infinity


Number paintings and early works on paper at Dominique Lévy


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Our Secret: Hidden Master Painter Paul Pagk


The masterful and little-known abstractionist has three concurrent shows on two continents.