Sunday, August 21st, 2016
A show of activist art from across Latin America. ...
Wednesday, July 27th, 2016
Twin surveys of Ader’s short but brightly burning career are mounted in New York and London. ...
Wednesday, July 27th, 2016
Twin surveys of Ader’s short but brightly burning career are mounted in London and New York. ...

Monday, June 27th, 2016


Master of Puppets: Jordan Wolfson at David Zwirner

Wolfson’s installation, an animatronic boy, is uncanny and awesome.

Wednesday, June 22nd, 2016

Nicole Eisenman, Dysfunctional Family, 2000. Oil on canvas, 21 x 17 inches. Courtesy of the artist and the New Museum.

Crudely, Playfully: Nicole Eisenman at the New Museum

The painter and sculptor of recent renown has a large survey at the New Museum.

Wednesday, June 22nd, 2016


Paint Queer, Gender Fluid, Meaning Ambiguous: Nicole Eisenman at Anton Kern

The figure painter confounds the gender roles expected of her subjects.

Sunday, June 19th, 2016

Installation view, "Martin Creed: The Back Door," 2016, at the Park Avenue Armory. Photograph by James Ewing, courtesy of the Park Avenue Armory.

Back Door Man: Martin Creed at the Park Avenue Armory

The Turner Prize-winning artist and musician’s exhibition is currently on view at the Park Avenue Armory.

Saturday, June 18th, 2016


Haptic Hallucinations: The “Suns” and “Wavy Rays” of Karen Arm

on view at P.P.O.W. through June 25

Friday, June 10th, 2016

Lee Mullican, The Arrival of the Quetzalcoatl, 1963. Oil on canvas, 60 x 50 inches. Courtesy of James Cohan.

Western Culture: Lee Mullican’s Californian Abstraction

A brief history of the work of a West Coast abstract expressionist.

Thursday, June 9th, 2016

Jean Dubuffet, Vache la belle mufle?e/Cow with the Beautiful Muzzle, 1954. Oil on canvas, 45-5/8 x 35 inches. Private Collection. Photograph by Kent Pell / © 2016 Artists Rights Society (ARS), New York / ADAGP, Paris

Bull’s Eye: Jean Dubuffet’s Anticultural vision

A major exhibition at Acquavella Galleries, closing June 10

Monday, June 6th, 2016

Installation view of "Juan Uslé: Membrana Porosa," 2016, at Cheim & Read. Courtesy of the gallery.

Heartbeats: The Spanish Rhythms of Juan Uslé

The artist draws on biological rhythms and the history of Spanish painting.

Saturday, May 21st, 2016


Faith and Formalism: Rachel Harrison at MoMA

The sculptor examines religious faith as feeling carefully for something not fully seen.

Friday, May 20th, 2016

William Leavitt, Starburst Fixture, 2015. Oil marker on linen, 24 x 36 inches. Courtesy of the artist and Greene Naftali.

Screen Life or Real: William Leavitt’s “Telemetry” at Greene Naftali

The artist’s domestic tableaux use screens and ersatz furnishings to scrutinize the real world.