criticism ▶ Exhibitions
Meditative Continuity: New Video Works by Mary Lucier
 
Mary Lucier, Wisconsin Arc, 2009-2013, Single-channel video installation. Color. Sound. 26:00 (installation view). Courtesy of Lennon, Weinberg, Inc.
closing this weekend at Lennon, Weinberg ...
It Was Twenty Years Ago Today: NYC 1993 at the New Museum
 
Gabriel Orozco, Island Within an Island, 1993. Silver dye bleach print, 16 x 20 inches, Edition of 5. Courtesy of Marian Goodman Gallery, New York, © 2009 Gabriel Orozco.
On view through May 26 ...
Post Hard: Marina Adams at Hionas Gallery
 
Marina Adams, Spin, 2010. Acrylic on Linen, 48 x 48 inches. Courtesy of Hionas Gallery
Quietly audacious abstract paintings on the Lower East Side ...
 

Susannah Phillips, Landscape 10, 2012. Oil on canvas, 36 x 46 inches. Courtesy of Lori Bookstein Fine Art.

Growing To Know A Place: Susannah Phillips and Landscape


continues at Lori Bookstein through January 2013


Phyllida Barlow, untitled: holedwall, 2012. Wirenetting, polyurethane expanding foam, cement, scrim, paint, 59 x 47 x 82 inches. Courtesy of Hauser & Wirth

The Cannibal: Phyllida Barlow at Hauser & Wirth


This slow cook artist is something of a speed freak.


Melvin Edwards, Ways of Steel, 1988. Welded steel, 17 x 32-1/4 x 14-5/8 inches. Courtesy of Alexander Gray Associates, New York

Resistance of Steel: Melvin Edwards at Alexander Gray


In “Lynch Fragments” chains signify cultural connectedness and violent repression


Frank Moore, Her Closet, 1990. Oil and pins on canvas mounted on wood, in artist’s frame (painted wood), 31 x 30 inches. Private collection, New York. Courtesy Sperone Westwater, New York

Battle Lines: Frank Moore’s Toxic Beauty


on view at NYU’s Grey Art Gallery through December 8


Carolanna Parlato, Orbit, 2012. Acrylic and spray paint on canvas, 24 x 24 inches. Courtesy of Elizabeth Harris Gallery

Bringing the Hand Back into Play: Carolanna Parlato at Elizabeth Harris


Her latest show marked a shift in style


Henry Rothman, Untitled (Blue and Red) [double-sided] circa 1960-63. Paper collage, 6-7/8 x 4-7/8 inches. Courtesy of Lori Bookstein Fine Art

Beyond The Frame: Henry Rothman at Lori Bookstein


Collages of exquisite touch by frame maker to the New York School


Jiro Yoshihara, Work, 1965. Oil on canvas, 71-5/8 x 89-3/8 inches. Courtesy of Hauser & Wirth

What if…? Gutai, Japan’s New York School


A Visual Essay on Gutai at Hauser & Wirth, through October 27


installation shot of the exhibition under review, courtesy of The Jewish Museum

Addressing Politics Poetically: Izhar Patkin at the Jewish Museum


The Messiah’s glAss is up through November 11


Fran O’Neill, earthly delight, 2012 (detail). Oil on canvas, 72 x 72 inches. Courtesy of The Artist.

In Hot Pursuit: Fran O’Neill at the Studio School


Her show of rigorous gestural abstraction is up through October 13


Pierre Soulages, Painting, November 20, 1956 (Peinture, 20 novembre 1956), 1956 Oil on canvas, 195 x 130.2 cm. Solomon R. Guggenheim Museum, New York © 2012 Artists Rights Society (ARS), New York/ADAGP, Paris

Sweeney Guards the Horned Gates: International Abstraction and the Guggenheim


A recent show celebrated collecting tastes of the 1950s

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