criticismExhibitions
 
Elizabeth Ferry, installation view of "Dems Toad," 2014, at Honey Ramka. Courtesy of the gallery.
An exhibition of sculptures and paintings of beastly sexual energy. ...
 
Carla Gannis, The Garden of Emoji Delights, 2014. Digital C-print, detail of left panel. Courtesy of the Artists
On view at Kasia Kay Art Projects, Chicago ...
 
Michael Bell-Smith, Blind on Rips, 2014. Vinyl film on polyester painted aluminum composite panel, 47 1/2 × 35 5/8 inches. Courtesy of the artist and Foxy Production.
Who is the Elmer Fudd of Post-Internet art? ...
 


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Wanted but Undesired: Andy Warhol at the 1964 World’s Fair


The Queens Museum untangles the outrage and hypocrisy around Warhol’s commission at the 1964 World’s Fair.


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Sun and Earth: Melanie Schiff at Kate Werble


Melanie Schiff’s work encourages viewers to stare at the sun.


Installation view, "Phoenix: Xu Bing at the Cathedral," The Cathedral of Saint John the Divine. Courtesy of the artist and The Cathedral of Saint John the Divine. Photograph by Aileen June Wang.

Wood, Light and Steel from Ash: Xu Bing’s Phoenixes


Xu Bing’s interest in metamorphosis takes form as two colossal phoenixes.


Installation view, “Camille Henrot: The Restless Earth,” New Museum, 2014.
Courtesy of the New Museum, New York. Photo by Benoit Pailley.

Archive of the Everything, Forever: Camille Henrot at the New Museum


Camille Henrot’s ambitious exhibition displays her woven roles as archivist, anthropologist, artist.


Installation view, "Jayson Musson: Abstract Art Exhibit," courtesy of Salon 94.

Punchline in Search of a Comedian: Jayson Musson takes on Nancy


Jayson Musson’s comics-inspired show is at Salon 94 Bowery.


Tom Friedman, Toxic Green Luscious Green, 2014. Paint and Styrofoam, 60 X 96 X 5 1/2 inches. Courtesy of the artist and Luhring Augustine, New York.

What It Is: Juliet Helmke on Tom Friedman


Tom Friedman plays with viewer expectations, using nothing but two materials.


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Radically Conservative: Franklin Einspruch on Susan Vecsey & James Walsh


Susan Vecsey and James Walsh lead the vanguard revival of the Tenth Street abstractionists.


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Outside the Box: David Carrier on the Legacy of Shaped Canvases


Two exhibitions chronicle the disparate and sometimes radical uses of shaped canvases since the 1960s.


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Fuzzy Reception: Michael Berryhill at Kansas


Berryhill’s new punning paintings tease viewers and confound their expectations.


Paul Cézanne, The Buffet, 1887-79. Oil on linen, 65 x 81 cm. Museum of Fine Arts, Budapest

Paul Cézanne: Site/Non-Site


Madrid show applies Robert Smithson’s ideas to Cézanne